Pregled bibliografske jedinice broj: 1061488
From the Central America to southeastern Europe: Mexican and Yu-Mex music and its echoes in Croatian music today
From the Central America to southeastern Europe: Mexican and Yu-Mex music and its echoes in Croatian music today // 6th Symposium of the ICTM Study Group on Music and Dance in Sotheastern Europe. Migrations, Carniva, Sustainable Development / Mellish, Liz ; Pettan, Svanibor ; Zebec, Tvrtko (ur.).
Zagreb: Institute of Ethnology and Folklore Research ; International Council for Traditional Music – Study Group on Music and Dance in Southeastern Europe ; ICTM Croatia National Committee, 2018. str. 38-38 (predavanje, međunarodna recenzija, sažetak, znanstveni)
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Naslov
From the Central America to southeastern
Europe: Mexican and Yu-Mex music and its echoes
in Croatian music today
Autori
Miholić, Irena
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, znanstveni
Izvornik
6th Symposium of the ICTM Study Group on Music and Dance in Sotheastern Europe. Migrations, Carniva, Sustainable Development
/ Mellish, Liz ; Pettan, Svanibor ; Zebec, Tvrtko - Zagreb : Institute of Ethnology and Folklore Research ; International Council for Traditional Music – Study Group on Music and Dance in Southeastern Europe ; ICTM Croatia National Committee, 2018, 38-38
ISBN
978-953-8089-28-2
Skup
6th Symposium of the ICTM Study Group on Music and Dance in Southeastern Europe
Mjesto i datum
Sinj, Hrvatska, 15.04.2018. - 21.04.2018
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
music migration, mariachi, yu-mex
Sažetak
From the Central America to southeastern Europe: Mexican and Yu-Mex music and its echoes in Croatian music today The phenomenon of „Mexican music“ can be traced from the 1950s in former Yugoslavia. The crucial role played Mexican cinematography, and in former Yugoslavia very popular movie „Un dia de vida“. Interesting is the fact that those movies were popular among village as well as city population, and the songs were especially favorite. Most of the hits from the movies got also the pandan/match in Croatian/Serbian language, and new “mexican” stile was very beloved at a wide audience. Numerous records were made of originals, as well as rewritten songs, and there is also a list of new songs made in a “mex style” or mariachi style. Wide range of very known and popular singers and performers as well as newcomers made a try in this new genre. Comparing the traditions of the original songs as well as the newly composed songs made by the authors in Croatia and Serbia, I will try to find possible explanations for this musical phenomenon. It seemed that the genre was forgotten, but new interests for Mexican music, precisely mariachi music was raised with the Los Caballeros – mariachi band from Zagreb who dedicated their work in playing “authentic Mexican music”. With them, the interest for yu-mex also increased, as well as for the echoes it left in other genres (there were some documentary movies made, and a CDbox compilation “101 Mexicana”). Detecting some crucial points or better said songs from the past I will place them in a contemporary surrounding presenting work of some young musicians who still cherish the "mixed" tradition. By presenting some case studies of performers but also fans of that music I will show the impact this “music migration” has in life of them today.
Izvorni jezik
Engleski
Znanstvena područja
Etnologija i antropologija, Glazbena umjetnost
POVEZANOST RADA
Ustanove:
Institut za etnologiju i folkloristiku, Zagreb
Profili:
Irena Miholić
(autor)