Pregled bibliografske jedinice broj: 1051026
Shakespeare’s e-a-r
Shakespeare’s e-a-r // Cahiers elisabethains, 100 (2019), 1; 24-43 doi:10.1177/0184767819863812 (međunarodna recenzija, članak, znanstveni)
CROSBI ID: 1051026 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Shakespeare’s e-a-r
Autori
Ryle, Simon
Izvornik
Cahiers elisabethains (0184-7678) 100
(2019), 1;
24-43
Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, znanstveni
Ključne riječi
William Shakespeare ; Jean-Luc Godard ; ear ; typography ; print ; Gilles Deleuze
Sažetak
This article analyses the relation of the printing press and theories of media and writing technology to Shakespearean poetics. It explores listening and alphabetic letters in Shakespeare’s language, drawing from the criticism of Joel Fineman and Jean-Luc Godard’s King Lear (1987), as well as instances in early modern culture in which language might seem to fragment or separate from the body, including the exegetical practice known as ‘text crumbling’ and recusant exorcisms. Proposing a media archaeology of aural and textual fragmentation, the article considers how and why Shakespeare’s attention to ears centres on engagement with the upheavals of early modern typographic print technology.
Izvorni jezik
Engleski
Znanstvena područja
Interdisciplinarne humanističke znanosti
POVEZANOST RADA
Ustanove:
Filozofski fakultet u Splitu,
Sveučilište u Splitu
Profili:
Simon John Ryle
(autor)
Citiraj ovu publikaciju:
Časopis indeksira:
- Current Contents Connect (CCC)
- Web of Science Core Collection (WoSCC)
- Arts & Humanities Citation Index (A&HCI)
- SCI-EXP, SSCI i/ili A&HCI
- Scopus