Pregled bibliografske jedinice broj: 1050872
Allegorical presentation of "Croatia" in the late 19th and early 20th century architectural sculpture
Allegorical presentation of "Croatia" in the late 19th and early 20th century architectural sculpture // International Workshop: Cultural and political aspects of the sculptural monuments of the Habsburg / Austro-Hungarian Monarchy / Kraševac, Irena ; Ćurić, Ana (ur.).
Zagreb: Institut za povijest umjetnosti, 2019. str. 16-16 (radionica, nije recenziran, sažetak, znanstveni)
CROSBI ID: 1050872 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Allegorical presentation of "Croatia" in the late 19th and early 20th century architectural sculpture
Autori
Kraševac, Irena
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, znanstveni
Izvornik
International Workshop: Cultural and political aspects of the sculptural monuments of the Habsburg / Austro-Hungarian Monarchy
/ Kraševac, Irena ; Ćurić, Ana - Zagreb : Institut za povijest umjetnosti, 2019, 16-16
ISBN
978-953-7875-67-1
Skup
Cultural and political aspects of the sculptural monuments of the Habsburg Monarchy
Mjesto i datum
Zagreb, Hrvatska, 26.09.2019. - 28.09.2019
Vrsta sudjelovanja
Radionica
Vrsta recenzije
Nije recenziran
Ključne riječi
architectural sculpture, Rudolf Valdec, Dragutin Morak, Vjekoslav Bastl, allegorical figure
Sažetak
The paper discuss the topic of architectural sculpture in Zagreb and provide an insight in the phenomenon of allegorical representation of a nation in a sculptural form as well as a comparative overview of stylistic and iconographic interpretation of the sculptures personifying "Croatia".
Izvorni jezik
Engleski
Znanstvena područja
Povijest umjetnosti
Napomena
International Workshops (1) "Vienna as a Sculptural Centre in the "long 19th Century". Current Researach of Sculpture in Central Europe. Ljubljana, February 2018 (2) Vizualization of transnational networks in and between the artistic centres of the Habsburg monarchy - using the example of sculptre around 1900. Vienna, October 2018