Pregled bibliografske jedinice broj: 1049479
Cinematography and Television: The Indoctrinated Space-Time
Cinematography and Television: The Indoctrinated Space-Time // Between Page and Screen: Remaking Literature Through Cinema and Cyberspace / Brillenburg Wurth, Kiene (ur.).
New York (NY): Fordham University Press, 2012. str. 184-200 (predavanje, međunarodna recenzija, cjeloviti rad (in extenso), znanstveni)
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Naslov
Cinematography and Television: The Indoctrinated
Space-Time
Autori
Gruić Grmuša, Lovorka
Vrsta, podvrsta i kategorija rada
Radovi u zbornicima skupova, cjeloviti rad (in extenso), znanstveni
Izvornik
Between Page and Screen: Remaking Literature Through Cinema and Cyberspace
/ Brillenburg Wurth, Kiene - New York (NY) : Fordham University Press, 2012, 184-200
ISBN
9780823239061
Skup
Re-Mediating Literature
Mjesto i datum
Utrecht, Nizozemska, 04.07.2007. - 06.07.2007
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
Thomas Pynchon ; Robert Coover ; space-time ; cinematography ; television
(Thomas Pynchon ; Gravity’s Rainbow ; space-time ; cinematography ; television)
Sažetak
As Jay David Bolter and Richard Grusin illustrated, modern mass media do not simply dismiss earlier media forms for a new set of aesthetic and cultural principles, instead they pay homage to them, as well as refashioning them, proving that all media interpenetrate mutually, constituting one another in an on- going dynamic process of animation and remediation. Likewise, Samuel Weber’s and Katherine Hayles’s concept of media as transformative processes that are always changing and in relation among themselves, reveals indefinite divisibility of media, constantly merging, mutating, intermediating and returning in different shapes. The dynamics by which media work — shifting, trespassing, modeling, connecting — identify them as process-dependent. This paper demonstrates how remediation and specifically the interactions of screen technologies work in the texts of two American postmodern authors: Thomas Pynchon and Robert Coover, emphasizing intermedial reflexivity from screen to paper.
Izvorni jezik
Engleski
Znanstvena područja
Interdisciplinarne humanističke znanosti, Filmska umjetnost (filmske, elektroničke i medijske umjetnosti pokretnih slika), Književnost
Napomena
Rad je u izmijenjenom obliku objavljen u koautorstvu
s urednicom zbornika Brillenburg Wurth, pod naslovom
Cinematography as a Literary Concept in the
(Post)Modern Age: Pirandello to Pynchon
