Pregled bibliografske jedinice broj: 1038458
Croatian Painting and Art Criticism in the Period of Socialist Realism (1945–1950): Theory vs. Practice
Croatian Painting and Art Criticism in the Period of Socialist Realism (1945–1950): Theory vs. Practice // Art and Politics in the Modern Period. Conference Proceedings / Damjanović, Dragan ; Magaš Bilandžić, Lovorka ; Miklošević, Željka ; Walton Jeremy F. (ur.).
Zagreb: Filozofski fakultet Sveučilišta u Zagrebu, 2019. str. 271-279
CROSBI ID: 1038458 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Croatian Painting and Art Criticism in the Period of Socialist Realism (1945–1950): Theory vs. Practice
Autori
Šeparović, Ana
Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni
Knjiga
Art and Politics in the Modern Period. Conference Proceedings
Urednik/ci
Damjanović, Dragan ; Magaš Bilandžić, Lovorka ; Miklošević, Željka ; Walton Jeremy F.
Izdavač
Filozofski fakultet Sveučilišta u Zagrebu
Grad
Zagreb
Godina
2019
Raspon stranica
271-279
ISBN
978-953-175-643-3
Ključne riječi
Socialist Realism, Croatian painting, Croatian art criticism, war thematics, Agitprop
Sažetak
In order to create another powerful medium for spreading a new socialist and communist ideology in the period of Socialist Realism in Croatia (1945–1950), the goal of making visual art accessible to all social classes became one of the important tasks of the new society and its authorities. By merging a highly realistic style and a heroic touch, with a simple and contemporary subject, the purpose was to introduce to the people politically acceptable notions and values, such as optimism, collectivism, a desire to work, brotherhood and unity among others. In this paper some aspects of the Croatian painting and art criticism in the period of Socialist Realism will be discussed.
Izvorni jezik
Engleski
Znanstvena područja
Povijest umjetnosti
