Pregled bibliografske jedinice broj: 1038270
The long lives of transferred museum objects: the exchange of paintings from the Strossmayer Gallery (Zagreb) for the baptismal font from the Museo Correr (Venice) in 1942
The long lives of transferred museum objects: the exchange of paintings from the Strossmayer Gallery (Zagreb) for the baptismal font from the Museo Correr (Venice) in 1942 // Art and Politics in the Modern Period / Damjanović, Dragan ; Magaš Bilandžić, Lovorka ; Miklošević, Željka ; Walton, Jeremy F. (ur.).
Zagreb: Faculty of Humanities and Social Sciences - University of Zagreb, Croatia ; FF-press, 2019. str. 201-211 (predavanje, međunarodna recenzija, cjeloviti rad (in extenso), znanstveni)
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Naslov
The long lives of transferred museum objects: the exchange of paintings from the Strossmayer Gallery (Zagreb) for the baptismal font from the Museo Correr (Venice) in 1942
Autori
Dulibić, Ljerka ; Pasini Tržec, Iva
Vrsta, podvrsta i kategorija rada
Radovi u zbornicima skupova, cjeloviti rad (in extenso), znanstveni
Izvornik
Art and Politics in the Modern Period
/ Damjanović, Dragan ; Magaš Bilandžić, Lovorka ; Miklošević, Željka ; Walton, Jeremy F. - Zagreb : Faculty of Humanities and Social Sciences - University of Zagreb, Croatia ; FF-press, 2019, 201-211
ISBN
978-953-175-643-3
Skup
Art and Politics in Europe in the Modern Period
Mjesto i datum
Zagreb, Hrvatska, 29.06.2016. - 02.07.2016
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
Strossmayer Gallery of Old Masters, Museo Correr Venice, Duke Višeslav Batpismal Font, Vittore Carpaccio, post-WWI/WWII restitution negotiations, transfer of cultural objects, Alpe Adria
Sažetak
In this paper, we present an example of the strong, politically-imposed cultural transfer process, which went along with the specific political situation of the first half of the 20th century, culminating in a politically enforced exchange of art objects that took place during the first years of the Independent State of Croatia (1941-1945). In 1942, the two Vittore Carpaccio paintings from the Strossmayer Gallery in Zagreb were exchanged for the so-called Baptismal Font of Duke Višeslav from the Museo Correr in Venice. Besides the analysis of archival findings, which offer a deeper insight into the circumstances of the exchange and its later consequences, we consider the different origins and later provenances of several artworks brought together in a single political and historical whirlwind by the historical episode of the 1942 exchange.
Izvorni jezik
Engleski
Znanstvena područja
Povijest umjetnosti
Napomena
Istraživanje za ovaj rad provedeno je u okviru HERA projekta 15.080 TransCultAA (Transfer of Cultural Objects in the Alpe Adria Region in the 20th Century, http://www.transcultaa.eu). Projekt je financiran sredstvima programa Europske unije Obzor 2020 za istraživanje i inovacije, u okviru Ugovora o dodjeli sredstava br. 649307.
POVEZANOST RADA
Projekti:
HERA projekt 15.080 TransCultAA
Ustanove:
Hrvatska akademija znanosti i umjetnosti