Pregled bibliografske jedinice broj: 1033532
Modernist Tropes and Post-Socialist Realities in Commemoration of the Second World War in Croatia
Modernist Tropes and Post-Socialist Realities in Commemoration of the Second World War in Croatia // Massen sterben - landschaftliche, architektonische und materielle Erinnerungen an zwei Weltkriege. Wege des Erinnerns in europäischer Perspektive
Salzburg, Austrija, 2019. (pozvano predavanje, međunarodna recenzija, neobjavljeni rad, znanstveni)
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Naslov
Modernist Tropes and Post-Socialist Realities in
Commemoration of the Second World War in Croatia
Autori
Špikić, Marko
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, neobjavljeni rad, znanstveni
Skup
Massen sterben - landschaftliche, architektonische und materielle Erinnerungen an zwei Weltkriege. Wege des Erinnerns in europäischer Perspektive
Mjesto i datum
Salzburg, Austrija, 21.11.2019
Vrsta sudjelovanja
Pozvano predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
Second World War, Jasenovac, commemoration, Tito, revisionism
Sažetak
Second World War brought unrest, division and violence in Croatia. Foreign occupation was accompanied by inner conflict, traditionally described as ideological schism between fascist and anti-fascist forces. Although there is no agreement whether it is comparable with Spanish civil war, one thing is sure: it led to tens of thousands of military and civilian victims, perished in concentration camps or prisons and in post-war retaliations. After a decade, Yugoslav communist authorities turned the local and individual acts of commemoration into official rituals, nation-building narratives and aestheticization of traumas. During 1950s the ineffability of traumatic experiences was confronted with the quest for Modernist artistic expression. It can be a symptom of systemic denial of original, disturbing authorities, testifying to collective traumas, traceable also in the removal of wartime ruins. I will therefore analyse the strategies of representation of mass atrocities in Modernist monuments created since the 1960s in communist Croatia and problems of their comprehension after 1990. It leads to discussion of the phenomena of denial, dissimulation and vandalism, manifested in protected ecosystems of Croatian islands and natural parks, contaminated both by war crimes on civilians and by post-war retributions over the defeated military forces.
Izvorni jezik
Engleski
Znanstvena područja
Povijest umjetnosti