Pregled bibliografske jedinice broj: 1021533
Post-Yugoslav dystopian dilemmas in writing history of the future: alternative version or parody subversion?
Post-Yugoslav dystopian dilemmas in writing history of the future: alternative version or parody subversion? // CfP: Lost Discontinuity, Lost Fragmentarity: Conflict, Composition and Temporalities of Post-Yugoslav. Literature(s) and Culture(s).
Rijeka, Hrvatska, 2018. str. 47-48 (predavanje, podatak o recenziji nije dostupan, sažetak, znanstveni)
CROSBI ID: 1021533 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Post-Yugoslav dystopian dilemmas in writing history of the future: alternative version or parody subversion?
Autori
Levanat-Peričić, Miranda
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, znanstveni
Skup
CfP: Lost Discontinuity, Lost Fragmentarity: Conflict, Composition and Temporalities of Post-Yugoslav. Literature(s) and Culture(s).
Mjesto i datum
Rijeka, Hrvatska, 12.10.2018. - 13.10.2018
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Podatak o recenziji nije dostupan
Ključne riječi
dystopia, antimodernism, "antimodernist dystopia", "dystopian menippea", representation of history, contemporary Croatian novels
Sažetak
Starting from the G. S. Morson objection that utopias describe an escape from history, while anti-utopias describe an escape to history, this paper will try to give a typology of writing history in contemporary Croatian novels focused on possible (dystopian) futures. The main differences between representations of history in dystopian novels can be found on two levels – first, in the selection of a certain part of history which a certain author finds relevant for the future, and second, in the modus/style of representation of the selected history. Regarding the style or modus, the selected history in dystopian novels can be represented in two main ways – in its alternative version as a repeated event, or in a parody subversion, with the literary processes characteristic for the genre of Menippean satire. The difference between these two types of dystopian representation of history reflected also two different types of social engagement – first in order to affirm traditional values, often with antimodernist moods and worldviews (in “antimodernist dystopia”) and second with a radical break from traditional and canonical values (in „dystopian menippea“). This paper will approach the novels written by Josip Mlakić and Edo Popović as the representatives of the first type and the novels written by Borivoj Radaković and Ivo Balenović as the representatives of the second type.
Izvorni jezik
Engleski
Znanstvena područja
Filologija
POVEZANOST RADA
Projekti:
HRZZ-IP-2016-06-9548 - Politika vremena u post-jugoslavenskoj prozi: Zamišljanje temporalnosti književnih kultura transnacionalnosti (POLITI) (Mijatović, Aleksandar, HRZZ - 2016-06) ( CroRIS)
Ustanove:
Sveučilište u Zadru
Profili:
Miranda Levanat-Peričić
(autor)