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Pregled bibliografske jedinice broj: 1020677

From the Cinematic Mode of Production to Computational Capital


Beller, Jonathan; Jerić, Ante; Meheik, Diana
From the Cinematic Mode of Production to Computational Capital, 2018. doi:10.2307/j.ctt1x07z9t.13 (ostalo).


CROSBI ID: 1020677 Za ispravke kontaktirajte CROSBI podršku putem web obrasca

Naslov
From the Cinematic Mode of Production to Computational Capital

Autori
Beller, Jonathan ; Jerić, Ante ; Meheik, Diana

Izvornik
From the Cinematic Mode of Production to Computational Capital

Vrsta, podvrsta
Ostale vrste radova, ostalo

Godina
2018

Ključne riječi
capitalism ; computing ; postmodernism ; Fredric Jameson ; Jonathan Beller ; social media ; visual culture ; cinematic mode of production ; computational capital

Sažetak
Interview with Jonathan Beller on the concepts of the cinematic mode production and computational capital which help us to track the background calculus of capitalized power as it restructures representation, finance, identity and sociality from the mid-twentieth century forward.

Izvorni jezik
Engleski

Znanstvena područja
Filozofija, Interdisciplinarne humanističke znanosti, Filmska umjetnost (filmske, elektroničke i medijske umjetnosti pokretnih slika), Književnost

Napomena
Intervju je izvorno objavljen u hrvatskom prijevodu na portalu Kulturpunkt.hr, zatim je objavljen na internetskoj verziji časopisa Social Text, a potom je uključen u knjigu Jonathana Bellera The Message is Murder: Substrates of Computational Capital.



POVEZANOST RADA


Profili:

Avatar Url Ante Jerić (autor)

Poveznice na cjeloviti tekst rada:

doi www.jstor.org socialtextjournal.org

Citiraj ovu publikaciju:

Beller, Jonathan; Jerić, Ante; Meheik, Diana
From the Cinematic Mode of Production to Computational Capital, 2018. doi:10.2307/j.ctt1x07z9t.13 (ostalo).
Beller, J., Jerić, A. & Meheik, D. (2018) From the Cinematic Mode of Production to Computational Capital. From the Cinematic Mode of Production to Computational Capital. Ostalo doi:10.2307/j.ctt1x07z9t.13.
@unknown{unknown, author = {Beller, Jonathan and Jeri\'{c}, Ante and Meheik, Diana}, year = {2018}, DOI = {10.2307/j.ctt1x07z9t.13}, keywords = {capitalism, computing, postmodernism, Fredric Jameson, Jonathan Beller, social media, visual culture, cinematic mode of production, computational capital}, doi = {10.2307/j.ctt1x07z9t.13}, title = {From the Cinematic Mode of Production to Computational Capital}, keyword = {capitalism, computing, postmodernism, Fredric Jameson, Jonathan Beller, social media, visual culture, cinematic mode of production, computational capital} }
@unknown{unknown, author = {Beller, Jonathan and Jeri\'{c}, Ante and Meheik, Diana}, year = {2018}, DOI = {10.2307/j.ctt1x07z9t.13}, keywords = {capitalism, computing, postmodernism, Fredric Jameson, Jonathan Beller, social media, visual culture, cinematic mode of production, computational capital}, doi = {10.2307/j.ctt1x07z9t.13}, title = {From the Cinematic Mode of Production to Computational Capital}, keyword = {capitalism, computing, postmodernism, Fredric Jameson, Jonathan Beller, social media, visual culture, cinematic mode of production, computational capital} }

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