Pregled bibliografske jedinice broj: 1019573
Modernist movement of “the Youth” in fin de siècle Croatia - between cultural imitation and appropriation
Modernist movement of “the Youth” in fin de siècle Croatia - between cultural imitation and appropriation // 2019 ASEEES Summer Convention
Zagreb, Hrvatska, 2019. str. 23-23 (predavanje, podatak o recenziji nije dostupan, sažetak, znanstveni)
CROSBI ID: 1019573 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Modernist movement of “the Youth” in fin de siècle Croatia - between cultural imitation and appropriation
Autori
Tomašegović, Nikola
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, znanstveni
Izvornik
2019 ASEEES Summer Convention
/ - , 2019, 23-23
Skup
2019 ASEEES Summer Convention
Mjesto i datum
Zagreb, Hrvatska, 14.06.2019. - 16.06.2019
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Podatak o recenziji nije dostupan
Ključne riječi
modernism ; fin de siecle ; youth movement ; imitation ; appropriation
Sažetak
Historiography has often emphasized that one of the key features of the modernist movement of “the Youth” that had emerged in Croatia in the late 1890s was the “turn to Europe”, i.e. the appropriation of contemporary European cultural trends, especially in arts and literature. Yet, at the same time, “the (Progressive) Youth” saw themselves as faithful heralds of the Illyrian tradition. They chastised “the elders”, the dominant political and cultural Croatian elites, for abandoning in practice the goals and ideals of the Illyrian movement that they had proclaimed so passionately in words. In that regard, the anti-German sentiment they espoused, the fear of “the Drang” and the so-called “reverse antemurale” can be read both as a novelty in a changed political context and as a continuation in terms of cultural affiliations, for the German language and literature had been seen as the main threat to the Croatian national project ever since the times of the Illyrian movement. The same goes for the revived “Slavophile” sentiments and concepts of “the Youth”. This paper will thus pose the relationship between cultural imitation and appropriation as a fundamental problem. Through the analysis of the ideological and imagological matrix of the fin de siècle Croatian modernist movement of “the Youth”, the modes of cultural and intellectual appropriations in diverging social contexts will be explored. It will try to clarify the degree to which the modernist trends in late 19th century Croatia were merely reflections of broader European currents and in what measure did they continue the well-established national ideological and cultural traditions.
Izvorni jezik
Engleski
Znanstvena područja
Povijest
