Naslov
Pulski navozi moderniteta. Analiza dokumentarnog filma o brodogradilištu Uljanik na prelasku iz šezdesetih u sedamdesete godine XX stoljeća
(Building Berths of Pula and Modernity. Analysis of Uljanik Shipyard Documentary Movie at the turn of the sixties into the seventies of the twentieth century)

Autori
Matošević, Andrea

Izvornik
Annales-Anali za Istrske in Mediteranske Studije-Series Historia et Sociologia (1408-5348) 2019/3 (2019); 499-511

Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, znanstveni

Ključne riječi
Brodogradilište Uljanik, Pulski navozi, dokumentarni film, Pula, modernitet
(Uljanik shipyard, Pulski navozi, documentaries, Pula, modernity)

Sažetak
The paper analyses one of the most important periods in Uljanik, a Shipyard that is placed in the very heart of the city of Pula. The production of so called “mammoth-ships” during the seventies and whose construction required a particular and in other European shipyards rare procedure — joining of the stern and bow in the sea, was preceded by the construction of smaller ships, i.e. Bellary and Barauni. Bellary was the first ship produced in Croatia and Yugoslavia whose stern and bow were welded in the sea. This complicated and for that time unique technical procedure was filmed in an author documentary that also represents the first highly-produced industrial movie with the theme of Uljanik shipyard. Branko Bauer’s Building Berths of Pula(Pulski navozi, 1970) represents the first in a “small series” of documentaries that will follow during ’70 (Berge Istra and Kolos s Jadrana). When compared to them Building Berths of Pula shows a series of indicative particularities: besides explaining to a larger audience the procedures of shipyard’s production in a very simple language it represents Uljanik as a part of Pula’s history and territory. This manoeuvre opens the theme of Pula’s modernity articulated in a specific film language.

Izvorni jezik
Hrvatski

Znanstvena područja
Povijest, Etnologija i antropologija, Filmska umjetnost (filmske, elektroničke i medijske umjetnosti pokretnih slika)

POVEZANOST RADA