Pregled bibliografske jedinice broj: 1011042
Cesare Fracanzano's The Penitence of St Peter in Dubrovnik and the Iconography of Penitence in Giovanni Bonifaccio's L'arte de' cennti (1616)
Cesare Fracanzano's The Penitence of St Peter in Dubrovnik and the Iconography of Penitence in Giovanni Bonifaccio's L'arte de' cennti (1616) // Ikon, 12 (2019), 147-154 doi:10.1484/J.IKON.4.2019019 (međunarodna recenzija, članak, znanstveni)
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Naslov
Cesare Fracanzano's The Penitence of St Peter
in Dubrovnik and the Iconography of Penitence
in Giovanni Bonifaccio's L'arte de' cennti
(1616)
Autori
Cvetnić, Sanja
Izvornik
Ikon (1846-8551) 12
(2019);
147-154
Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, znanstveni
Ključne riječi
Cesare Fracanzano, St Peter, penitence, pain, iconography of gestures, Giovanni Bonifaccio, L'arte de' cenni, Neapolitan Seicento
Sažetak
The discovery of an unknown painting in Dubrovnik, identified as The Penitence of St Peter - here attributed to Cesare Fracanzano, a painter of Neapolitan Seicento - is analysed with regard to the iconography of penitence. The gestres that reveal remorse and contrition of the penitent sinner are compared to those described in one of the most curious and learned treatises of the time, L'arte de' cenni (Vicenza 1616) by Giovanni Bonifaccio. The article discusses the attribution and the iconography of pain - in particular that of remorse and penitence of St Peter - putting it in the context of the theological statements issued at the Council of Trent and iconographical changes after it.
Izvorni jezik
Engleski
Znanstvena područja
Povijest umjetnosti
Citiraj ovu publikaciju:
Časopis indeksira:
- Web of Science Core Collection (WoSCC)
- Emerging Sources Citation Index (ESCI)
- Scopus
Uključenost u ostale bibliografske baze podataka::
- Web of Sicence
- ERIH INT 1
- Hrvatska kategorizacija znanstvenih časopisa (a1)