Pregled bibliografske jedinice broj: 1008366
Slikovni prikazi Marije s Presvetim Trojstvom, Ikonografski prikaz i teološka prosudba
Slikovni prikazi Marije s Presvetim Trojstvom, Ikonografski prikaz i teološka prosudba // Utile cum dulci, Zbornik u čast Pavlu Knezoviću / Barišić, Rudolf ; Jerković, Marko ; Tvrtković, Tamara (ur.).
Zagreb: Hrvatski studiji Sveučilišta u Zagrebu, 2019. str. 317-334
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Naslov
Slikovni prikazi Marije s Presvetim Trojstvom, Ikonografski prikaz i teološka prosudba
(Pictorial representation of Mary with The Holy Trinity, Iconografic representation and theological assessment)
Autori
Pehar, Marija
Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni
Knjiga
Utile cum dulci, Zbornik u čast Pavlu Knezoviću
Urednik/ci
Barišić, Rudolf ; Jerković, Marko ; Tvrtković, Tamara
Izdavač
Hrvatski studiji Sveučilišta u Zagrebu
Grad
Zagreb
Godina
2019
Raspon stranica
317-334
ISBN
978-953-7823-84-9
Ključne riječi
Marija, Presveto Trojstvo, Marijino uznesenje, Marijino krunjenje, Prijestolje milosti, ikonografija, marijanska ikonografija
(Mary, Holy Trinity, Assumption of Mary, Coronation of Mary, Throne of Mercy, iconography, Marian iconography)
Sažetak
Slikovni prikazi Djevice Marije u zajedništvu s Presvetim Trojstvom česti su i obljubljeni prikazi kršćanske ikonografije od najranijih stoljeća do danas. Slikovno i kompozicijski veoma bogati i razgranati u mnoštvo tipova, osobito su dragocjeni kao nositelji bogatog ikonografskog sadržaja. Upravo je taj ikonografski sadržaj, odnosno njegova teološka interpretacija, glavna tema ovoga rada. Izlaganjem povijesnog konteksta i ikonografskih elemenata slikovnih prikaza Marije s Trojstvom, pri čemu se osobita pozornost posvećuje teološko najsadržajnijim prikazima krunjenja, ukazuje se na njihov teološko-mariološki sadržaj, odnosno na trinitarnu dimenziju otajstava Marijina života, koja je na ovim prikazima isticana i kao teološka istina i kao sadržaj marijanskoga štovanja.
Izvorni jezik
Hrvatski
Znanstvena područja
Teologija, Povijest umjetnosti
Napomena
Pictorial representations of the Virgin Mary with the Holy Trinity have been common and beloved representations of Christian iconography from the earliest centuries to the present. Rich in terms of images and composition, and diversified into various types, they are particulary valuable as carriers of rich iconographic content. It is this iconographic content, i.e. its theological interpretation that is the main topic oft his paper. By presenting the historical context and iconographic elements oft the visual representations of Mary with the Holy Trinity, the paper points to their theological and Marian content, i.e. to the trinitary dimension oft the mystery of Mary᾽s life, which is, in these representations, emphasised as a theological truth and as the content of Marian worship. In the first pat, the author begins with the depiction of Mary᾽s life on Earth in the presence of the Holy Trinity. Trinitary elements are depicted as secondary, however, they point to the Marian mysteries being imbued with the Holy Trinity. The second, shorter part is devoted to the rare depictions of Mary with the Holy trinity gathered around a central soteriological event – Cross of the Son. In iconografic terms, it is a unique motif of depicting Mary within a trinitary type of Thron of Mercy, whereas in theological terms, the representation is aimed at Mary as a co-martyr and co-redeemer. The third, largest part is concerned with depictions of the Assumption of Mary, and especially her coronation, motifs that are almost inevitable when depicting the Hol Trinity. Here, once again, the diversity of the trinitary typology, as well as the necessary historical and culturological determination of diverse motifs, can also be noticed. The central focus, aimed at iconographic and theological content, results in the rich trinitary-Marian contents of these depictions. Recognised in them are the fundamental and soteriologically directed and depicts Mary as a type of Church and the anticipation of every man striving for salvation, on the other hand, trinitary-theological content is directed at expressing the economic and salvific activities of the Holy Trinity. It points to God, who loves and saves man, which is depicted, to its full beauty, in Mary.