Pregled bibliografske jedinice broj: 1006067
SUBMISSION TO THE UNCANNY. WHY DOES HOUELLEBECQ’S PROSE PROVOKE DISCOMFORT IN THE MEDIA AND PUBLIC SPACE?
SUBMISSION TO THE UNCANNY. WHY DOES HOUELLEBECQ’S PROSE PROVOKE DISCOMFORT IN THE MEDIA AND PUBLIC SPACE? // MEDIJI I MEDIJSKA KULTURA – EUROPSKI REALITETI / Piližota, Vlasta i dr. (ur.).
Osijek: Akademija za umjetnost i kulturu Sveučilišta Josipa Jurja Strossmayera u Osijeku, 2017. str. 554-565 (predavanje, domaća recenzija, cjeloviti rad (in extenso), znanstveni)
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Naslov
SUBMISSION TO THE UNCANNY. WHY DOES HOUELLEBECQ’S PROSE PROVOKE DISCOMFORT IN THE MEDIA AND PUBLIC SPACE?
Autori
Žužul, Ivana ; Janković, Damir
Vrsta, podvrsta i kategorija rada
Radovi u zbornicima skupova, cjeloviti rad (in extenso), znanstveni
Izvornik
MEDIJI I MEDIJSKA KULTURA – EUROPSKI REALITETI
/ Piližota, Vlasta i dr. - Osijek : Akademija za umjetnost i kulturu Sveučilišta Josipa Jurja Strossmayera u Osijeku, 2017, 554-565
ISBN
978-953-8181-09-2
Skup
MEDIJI I MEDIJSKA KULTURA – EUROPSKI REALITETI
Mjesto i datum
Osijek, Hrvatska, 04.05.2017. - 05.05.2017
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Domaća recenzija
Ključne riječi
Houellebecq, the Real, culture, ethics, and politics of narration
Sažetak
Since his first appearance on the European literary scene, Michel Houellebecq has not sto- pped dividing the media and the public alike. Literary criticism has repeatedly emphasized the controversy of his prose, in which, among other things, reactionism, racism, misogyny, misant- hropy, vulgarity, populism, nihilism, and cynicism are frequently recognized. The paper analyzes what the media that form the public opinion, which also constitute academia communication channels, recognize as offensive in Houellebecq’s prose. The starting point of the paper is that the contemporary culture faces the uncanny emerging from his prose with great uneasiness.
Izvorni jezik
Engleski
Znanstvena područja
Filologija
