Pregled bibliografske jedinice broj: 1003911
‘I’m Beginning a New Life’: The (Im)possibility of Beginning or Ending in Larisa Shepit'ko’s Wings and Pavel Chukhrai’s The Thief
‘I’m Beginning a New Life’: The (Im)possibility of Beginning or Ending in Larisa Shepit'ko’s Wings and Pavel Chukhrai’s The Thief // Studies in Russian and Soviet Cinema, 14 (2020), 1; 37-56 doi:10.1080/17503132.2020.1711609 (međunarodna recenzija, članak, znanstveni)
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Naslov
‘I’m Beginning a New Life’: The (Im)possibility of
Beginning or Ending in Larisa Shepit'ko’s Wings
and Pavel Chukhrai’s The Thief
Autori
Lugarić, Danijela
Izvornik
Studies in Russian and Soviet Cinema (1750-3132) 14
(2020), 1;
37-56
Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, znanstveni
Ključne riječi
film, memory, trauma, the site of trauma, “unheimlich”, the image of “the lost object”, Shepit’ko, Chukhrai
Sažetak
The article analyzes two films, Larisa Shepytko’s Wings (1966) and Pavel Chukhrai’s The Thief (1997) from the point of view of the poetics of (traumatic) past as the source of the present, which both film reverberate. In the theoretical framework of concepts such as trauma, (post)memory and uncanny, the analysis aims to answer the following questions. Is there, after the historical trauma of the Second World War (or the Great Patriotic War), any meaning to talk not only about the future, but also about the present – if the so- called “hot history” (Chris Lorenz) haunts the person to the extent that it completely shapes his or her life? How does the time “return”? Where is trauma located? What is the epistemological necessity of the affective conceptualization of the past in contemporary art and science?
Izvorni jezik
Engleski
Znanstvena područja
Sociologija, Filologija, Filmska umjetnost (filmske, elektroničke i medijske umjetnosti pokretnih slika)
Citiraj ovu publikaciju:
Časopis indeksira:
- Web of Science Core Collection (WoSCC)
- Emerging Sources Citation Index (ESCI)
- Scopus