Pregled bibliografske jedinice broj: 965389
“Her-story”: contemporary female film directors in post-Yugoslav cinema
“Her-story”: contemporary female film directors in post-Yugoslav cinema // Images (Gniezno), XXIII (2018), 32; 95-107 doi:10.14746/i.2018.32.08 (međunarodna recenzija, članak, znanstveni)
CROSBI ID: 965389 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
“Her-story”: contemporary female film directors in
post-Yugoslav cinema
Autori
Durić, Dejan
Izvornik
Images (Gniezno) (1731-450X) XXIII
(2018), 32;
95-107
Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, znanstveni
Ključne riječi
post-Yugoslav cinema, female directors, her story, posttransition, female subjectivity
Sažetak
The subject of this paper is a new generation of female directors in former Yugoslav (Croatia, Serbia, Bosnia and Herzegovina) cinematography. It considers the stylistic, narrative and representational strategies in the films Clip (Klip, 2012) by Maja Miloš, Sonja and the Bull (Sonja i bik, 2012) by Vlatka Vorkapić, Our Everyday Life (Naša svakodnevna priča, 2015) by Ines Tanović, Zagreb Cappuccino (2014) by Vanja Sviličić, Trampoline (Trampolin, 2016) by Zrinka Katarina Matijević, You Carry Me (Ti mene nosiš, 2015) by Ivona Juka, and Quit Staring at My Plate (Ne gledaj mi u pijat, 2016) by Hana Jušić. The movies are related through conceptual, thematic and/or stylistic features. They examine the position of female protagonists in a patriarchal society and their daily experiences, wherein they dissect gender, economic and social problems that exist in countries in the territory of former Yugoslavia.
Izvorni jezik
Engleski
Znanstvena područja
Filmska umjetnost (filmske, elektroničke i medijske umjetnosti pokretnih slika)
Citiraj ovu publikaciju:
Časopis indeksira:
- Scopus
