Pregled bibliografske jedinice broj: 913409
The Bright Future’s Past: Notes on the Soviet War Melodrama during the Thaw
The Bright Future’s Past: Notes on the Soviet War Melodrama during the Thaw // ASN 2017
New York City (NY), Sjedinjene Američke Države, 2017. (predavanje, međunarodna recenzija, ostalo, znanstveni)
CROSBI ID: 913409 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
The Bright Future’s Past: Notes on the Soviet War Melodrama during
the Thaw
Autori
Lugarić Vukas, Danijela
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, ostalo, znanstveni
Skup
ASN 2017
Mjesto i datum
New York City (NY), Sjedinjene Američke Države, 04.05.2017. - 07.05.2017
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
Soviet War Melodrama, the Thaw, P. Bourdieu, M. Bakhtin
Sažetak
The essay focuses on first internationally acclaimed Soviet post-war melodramas, The Cranes are Flying (1957) and Ballad of a Soldier (1959). By analyzing specific film temporalities and images of spaces as well as bound subjectivities, the essay traces Soviet dissolution back to late Soviet-socialist melodrama and claims that the first signs of Soviet collapse can be traced back to cultural formations (which are here understood as Bourdieuan “structuring structures”). The essay aims to illuminate that the cultural and political discourses of the time gradually followed different tracks, irrevocably taking different paths, which eventually (together with the further deepening of the gap between the field of culture and the field of political establishment during Brezhnev’s stagnation) brought about the dissolution of the Soviet Union. After all, as Iosif Brodskij insightfully observed, destalinization had to do more with Tarzan, than with the famous Khrushchev’s speech: “I claim that four episodes of Tarzan contributed to destalinization more than all the words spoken during the 20th Party Congress and afterward” („Ja utverždaju, čto odin tol'ko četyre serii 'Tarzana' sposobstvovali destalinizacii bol'še, čem vse reči Hruščeva na 20-m s''ezde i vposledstvii, “ cf. Zorkina 2006: 293). From the point of view of history of melodrama in Russian and Soviet cinema, it is particularly intriguing to note that during the Thaw genre modalities of melodrama provided fruitful artistic framework for addressing an impasse in post-war socialist project, i.e. a blockage in its progression towards communism (see also Jukić 2016 for a comparative perspective).
Izvorni jezik
Engleski
Napomena
Predavanje je objavljeno na hrvatskome jeziku u autorskoj
monografiji; bibliografska jedinica 1003847.
POVEZANOST RADA
Projekti:
IP-2013-11-6077 - Neomitologizam u kulturi 20. i 21. stoljeća (Neomyth) (Vojvodić, Jasmina, HRZZ - 2013-11) ( CroRIS)
Ustanove:
Filozofski fakultet, Zagreb
Profili:
Danijela Lugarić
(autor)