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Pregled bibliografske jedinice broj: 902367

The Frailty of Formal Education: Visual Paradigms and Music Creation


Pošćić, Antonio; Kreković, Gordan
The Frailty of Formal Education: Visual Paradigms and Music Creation // Proceedings of the Audio Mostly 2017.
New York (NY): The Association for Computing Machinery (ACM), 2017. 40, 4 doi:10.1145/3123514.3123534 (predavanje, međunarodna recenzija, cjeloviti rad (in extenso), znanstveni)


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Naslov
The Frailty of Formal Education: Visual Paradigms and Music Creation

Autori
Pošćić, Antonio ; Kreković, Gordan

Vrsta, podvrsta i kategorija rada
Radovi u zbornicima skupova, cjeloviti rad (in extenso), znanstveni

Izvornik
Proceedings of the Audio Mostly 2017. / - New York (NY) : The Association for Computing Machinery (ACM), 2017

ISBN
978-1-4503-5373-1

Skup
Audio Mostly

Mjesto i datum
London, Ujedinjeno Kraljevstvo, 23.08.2017. - 26.08.2017

Vrsta sudjelovanja
Predavanje

Vrsta recenzije
Međunarodna recenzija

Ključne riječi
music education ; visual programming ; computer music

Sažetak
Computer music technology strongly influenced artistic expression by opening new possibilities in the field of sound creation, music composition, interaction, and multimedia. Efficient and flexible use of technology unavoidably implies expressing various concepts through computer programming. Luckily, the visual programming paradigm provides a more intuitive and understandable, yet comprehensive approach for musicians, and seems more adaptable than textual programming. However, programming skills are still required, so the question arises whether music education appropriately prepares musicians for the digital world and visual programming in particular. In this study we explore relations between education and usage of digital tools in terms of language discovery, learning curves, purposes of using, and overall proficiency. We conducted a survey along 162 professional and amateur musicians who are also users of a visual programming tool. The results suggest that while formal education does not have a significant impact on programming skills, it plays an important role in discovery and selection of programming tools.

Izvorni jezik
Engleski

Znanstvena područja
Računarstvo



POVEZANOST RADA


Ustanove:
Fakultet elektrotehnike i računarstva, Zagreb

Profili:

Avatar Url GORDAN KREKOVIĆ (autor)

Avatar Url Antonio Pošćić (autor)

Poveznice na cjeloviti tekst rada:

doi dl.acm.org

Citiraj ovu publikaciju:

Pošćić, Antonio; Kreković, Gordan
The Frailty of Formal Education: Visual Paradigms and Music Creation // Proceedings of the Audio Mostly 2017.
New York (NY): The Association for Computing Machinery (ACM), 2017. 40, 4 doi:10.1145/3123514.3123534 (predavanje, međunarodna recenzija, cjeloviti rad (in extenso), znanstveni)
Pošćić, A. & Kreković, G. (2017) The Frailty of Formal Education: Visual Paradigms and Music Creation. U: Proceedings of the Audio Mostly 2017. doi:10.1145/3123514.3123534.
@article{article, author = {Po\v{s}\'{c}i\'{c}, Antonio and Krekovi\'{c}, Gordan}, year = {2017}, pages = {4}, DOI = {10.1145/3123514.3123534}, chapter = {40}, keywords = {music education, visual programming, computer music}, doi = {10.1145/3123514.3123534}, isbn = {978-1-4503-5373-1}, title = {The Frailty of Formal Education: Visual Paradigms and Music Creation}, keyword = {music education, visual programming, computer music}, publisher = {The Association for Computing Machinery (ACM)}, publisherplace = {London, Ujedinjeno Kraljevstvo}, chapternumber = {40} }
@article{article, author = {Po\v{s}\'{c}i\'{c}, Antonio and Krekovi\'{c}, Gordan}, year = {2017}, pages = {4}, DOI = {10.1145/3123514.3123534}, chapter = {40}, keywords = {music education, visual programming, computer music}, doi = {10.1145/3123514.3123534}, isbn = {978-1-4503-5373-1}, title = {The Frailty of Formal Education: Visual Paradigms and Music Creation}, keyword = {music education, visual programming, computer music}, publisher = {The Association for Computing Machinery (ACM)}, publisherplace = {London, Ujedinjeno Kraljevstvo}, chapternumber = {40} }

Citati:





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