Pregled bibliografske jedinice broj: 831092
Islamic Art, Culture and Political Iconography in the Works of two Venetian Renaissance Painters – Girolamo and Francesco da Santa Croce
Islamic Art, Culture and Political Iconography in the Works of two Venetian Renaissance Painters – Girolamo and Francesco da Santa Croce // Othello's Island
Nicosia, Cipar, 2017. str. x-x (poster, podatak o recenziji nije dostupan, sažetak, znanstveni)
CROSBI ID: 831092 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Islamic Art, Culture and Political Iconography in
the Works of two Venetian Renaissance Painters –
Girolamo and Francesco da Santa Croce
Autori
Ivana Čapeta Rakić
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, znanstveni
Izvornik
Othello's Island
/ - , 2017, X-x
ISBN
1999368002
Skup
Othello's Island Conference, the annual international conference on mediaeval, renaissance and early modern art, literature, social and cultural history
Mjesto i datum
Nicosia, Cipar, 17-20.03.2015
Vrsta sudjelovanja
Poster
Vrsta recenzije
Podatak o recenziji nije dostupan
Ključne riječi
Santa Croce ; painting ; iconography ; Venice ; Islamic art
Sažetak
The trade contacts which Venice maintained with the Orient are unparalleled in European history. Peacetime conditions of the earlier epochs were replaced by sharpened political rhetoric between the Venetian Republic and the Ottoman Empire, which particularly escalated in the mid 16th century, and culminated with the War of Cyprus. The aim of this paper is to comment on how two Venetian Renaissance painters, Girolamo and Francesco da Santa Croce, both active in the 16th century, responded to the impulses presented by Islamic art and culture and political events of the period, or more precisely, to demonstrate how the contacts with Islam, cultural interaction and political propaganda influenced the iconography in their paintings.
Izvorni jezik
Engleski
Znanstvena područja
Povijest umjetnosti