Pregled bibliografske jedinice broj: 743602
The Status of “Tradition” in Croatian Ethnomusicology, and the Issue of ‘Going Pidgin’ Ethnomusicology
The Status of “Tradition” in Croatian Ethnomusicology, and the Issue of ‘Going Pidgin’ Ethnomusicology // 3rd Symposium of the ICTM Study Group on Music and Dance in Southeastern Europe / Ivancich Dunin, Elsie, et al. (ur.).
Skopje: International Council for Traditional Music (ICTM) ; National Committee of Macedonia, 2014. str. 1-6
CROSBI ID: 743602 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
The Status of “Tradition” in Croatian Ethnomusicology, and the Issue of ‘Going Pidgin’ Ethnomusicology
Autori
Ceribašić, Naila
Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni
Knjiga
3rd Symposium of the ICTM Study Group on Music and Dance in Southeastern Europe
Urednik/ci
Ivancich Dunin, Elsie, et al.
Izdavač
International Council for Traditional Music (ICTM) ; National Committee of Macedonia
Grad
Skopje
Godina
2014
Raspon stranica
1-6
ISBN
978-608-65721-0-5
Ključne riječi
tradition, ethnomusicology, dominant discourse and theory, “going pidgin” ethnomusicology
Sažetak
The notion of tradition (tradicija) stands today as the central determinant of music that is in the focus of ethnomusicological research in Croatia. It came into being in the 1990s, and brought four important aspects to the understanding of ethnomusicological subject: construction, continuity of changes, identification of community, and performances of individual. The author also discusses two adjectives derived from the noun tradicija (tradicijsko and tradicionalno), whose fine semantic differences are untranslatable to English, addressing with this example the issue of translating and domesticating from and to English as lingua franca, but also as lingua of dominant discourse and theory. Since language and cognition are inextricably interconnected, what can non-English-thinking- and-speaking ethnomusicologies, or – as is actually more often the case – a kind of pidgin-English ethnomusicologies bring to the discipline at large? Instead of lamenting on the global power relations, the author rather advocates a kind of “going pidgin” ethnomusicology that we (would) all share.
Izvorni jezik
Engleski
Znanstvena područja
Znanost o umjetnosti, Etnologija i antropologija
POVEZANOST RADA
Projekti:
189-1890668-0662 - Suvremeni kulturni tijekovi i oblikovanje zajednica i identiteta (Čapo-Žmegač, Jasna, MZOS ) ( CroRIS)
189-1890668-3141 - Tradicijska kultura, globalizacija i lokalne prakse (Vitez, Zorica, MZOS ) ( CroRIS)
Ustanove:
Institut za etnologiju i folkloristiku, Zagreb
Profili:
Naila Ceribašić
(autor)