Pregled bibliografske jedinice broj: 677181
Ojkanje - the (multipart) musical system of the Dalmatian Hinterland ; the social and emotional dimensions of the performance practices
Ojkanje - the (multipart) musical system of the Dalmatian Hinterland ; the social and emotional dimensions of the performance practices // Multipart Music - A Specific Mode of Musical Thinking, Expressive Behaviour and Sound, Papers from the First Meeting of the ICTM Study Group on Multipart Music (September 15 - 20, 2010 ; Cagliari – Sardinia) / Macciarella, Ignazio (ur.).
Udine: Nota ; International Council for Traditional Music (ICTM), 2012. str. 175-187
CROSBI ID: 677181 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Ojkanje - the (multipart) musical system of the Dalmatian Hinterland ; the social and emotional dimensions of the performance practices
Autori
Ćaleta, Joško
Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni
Knjiga
Multipart Music - A Specific Mode of Musical Thinking, Expressive Behaviour and Sound, Papers from the First Meeting of the ICTM Study Group on Multipart Music (September 15 - 20, 2010 ; Cagliari – Sardinia)
Urednik/ci
Macciarella, Ignazio
Izdavač
Nota ; International Council for Traditional Music (ICTM)
Grad
Udine
Godina
2012
Raspon stranica
175-187
ISBN
9788861630925
Ključne riječi
ojkanje singing, Dalmatian Hinterland vocal traditions, Dalmatia, Croatia
Sažetak
Ojkanje is generic term for the type of archaic singing that characterizes a specific way of voice shaking achieved through a special technique of singing ‘from the throat’. The term ojkanje also reffers to the musical system of archaic (starovinski, starinski), traditional singing and playing of Croatian Dinaric regions – the regions of Dalmatian hinterland (Ravni Kotari, Bukovica, Dalmatinska Zagora, Sinjska Krajina, Imotska krajina). Due to the decreased number of skilled performers some of the genres have disappeared forever, and now we at least have to opportunity to document the current situation on the field in order to enable the new generation of singers to come in contact with the ‘documented’ tradition. This process of documenting the performances of the still living master-singers, and the discussions on the repertoire, singing techniques, the ways of improvisation of music and lyrics as well as different performative situations, are essential for urgent and studious intervention which would momentarily impede the further disappearance of the specific forms of this musical expression.
Izvorni jezik
Engleski
Znanstvena područja
Etnologija i antropologija
POVEZANOST RADA
Projekti:
189-1890666-0664 - Interpretativne razine tradicije (Lozica, Ivan, MZOS ) ( CroRIS)
Ustanove:
Institut za etnologiju i folkloristiku, Zagreb
Profili:
Joško Ćaleta
(autor)