Pregled bibliografske jedinice broj: 608131
Perceptions of the staged folk dance practice in Croatia
Perceptions of the staged folk dance practice in Croatia // From field to text & Dance and space. Proceedings for the 24th symposium of the ICTM Study Group on Ethnochoreology: Cluj- Napoca, 10-16 July 2006 / Dunin Ivancich, Elsie ; Giurchescu, Anca ; Könczei, Csilla (ur.).
Cluj - Napoca: The Romanian Institute for Research on National Minorities ; International Council for Traditional Music: Study Group on Ethnochoreology, 2012. str. 115-118 (predavanje, međunarodna recenzija, cjeloviti rad (in extenso), znanstveni)
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Naslov
Perceptions of the staged folk dance practice in Croatia
Autori
Zebec, Tvrtko
Vrsta, podvrsta i kategorija rada
Radovi u zbornicima skupova, cjeloviti rad (in extenso), znanstveni
Izvornik
From field to text & Dance and space. Proceedings for the 24th symposium of the ICTM Study Group on Ethnochoreology: Cluj- Napoca, 10-16 July 2006
/ Dunin Ivancich, Elsie ; Giurchescu, Anca ; Könczei, Csilla - Cluj - Napoca : The Romanian Institute for Research on National Minorities ; International Council for Traditional Music: Study Group on Ethnochoreology, 2012, 115-118
ISBN
978-606-8377-07-0
Skup
24th Symposium of the ICTM Study Group on Ethnochoreology
Mjesto i datum
Cluj-Napoca, Rumunjska, 10.07.2006. - 16.07.2006
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
folk dance; stage; revival; Croatia
Sažetak
Folk dance production at the stage in Croatia has never been considered as a revival. At this point this discussion should not be a part of this panel but as the participants are always invoking past dancing through the paradigm of showing old, domestic and local tradition, discussion fits into proposed cross- cultural comparison. The concept of revival got some other connotations in our social and political context after the last war 1991/92. From time when it started in 1920s and 1930s public practice of folk music and dance was a part of political program of the Croatian Peasant Party. Political ("national") orientation focused on local, regional, and ethnic/national identity in dance was always important especially when social and ideological circumstances changed. Following these changes up until today the author analyses and puts together emic and etic dimensions and views of participants in processes and interpret them from the other proposed discourses – "recreational" and "spectacular" performing orientations. The relation between individual and collective production is also explored. The author also tries to find out how much does the text reflect the "real" situation in the field. The text is a part of a panel discussion “Diverse fields to text: revival case studies” together with texts by Egil Bakka (Norway), Stephanie Smith (United States), Mats Nilsson (Sweden), Marie-Pierre Gibert (France) and Andriy Nahachewsky (Canada).
Izvorni jezik
Engleski
Znanstvena područja
Etnologija i antropologija
POVEZANOST RADA
Projekti:
09/59 - Hrvatska nematerijalna kulturna baština, društveni identiteti i vrijednosti (Zebec, Tvrtko, HRZZ ) ( CroRIS)
189-1890668-0661 - Plesna etnografija i mnogostruki identiteti (Zebec, Tvrtko, MZOS ) ( CroRIS)
Ustanove:
Institut za etnologiju i folkloristiku, Zagreb
Profili:
Tvrtko Zebec
(autor)