Pregled bibliografske jedinice broj: 376036
"Hong Kong Cinema and the Art of Countering Territorial Regimes: Women Warriors, Wicked Eunuchs and Soccer Players from Shaolin"
"Hong Kong Cinema and the Art of Countering Territorial Regimes: Women Warriors, Wicked Eunuchs and Soccer Players from Shaolin" // Discernments: Deleuzian Aesthetics / Joost de Bloois, Sjef Houppermans, Frans-Willem Korsten (ur.).
Amsterdam : New York (NY): Rodopi, 2004. str. 257-275
CROSBI ID: 376036 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
"Hong Kong Cinema and the Art of Countering Territorial Regimes: Women Warriors, Wicked Eunuchs and Soccer Players from Shaolin"
("Hong Kong Cinema and the Art of Countering Territorial Regimes: Women Warriors, Wicked)
Autori
Saša Vojković
Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni
Knjiga
Discernments: Deleuzian Aesthetics
Urednik/ci
Joost de Bloois, Sjef Houppermans, Frans-Willem Korsten
Izdavač
Rodopi
Grad
Amsterdam : New York (NY)
Godina
2004
Raspon stranica
257-275
ISBN
90-420-1812-7
Ključne riječi
geo-aesthetics, Hong Kong cinema, de/re-territorialization
Sažetak
In this essay, S. Vojković argues that Hpng Kong cinema asks for a new kind of aesthetics, capable of underlining Hong Kong cinema's fluidity instead of trying to seize it within a particular geo-aesthetical framework. By discussing numerous examples from both the colonial and postcolonial era, this essay demonstrates Hong Kong cinema's capability of countering processes of territorialization.
Izvorni jezik
Engleski
Znanstvena područja
Znanost o umjetnosti
