Pregled bibliografske jedinice broj: 192130
Geometric abstraction in the Croatian Art of the 1950s'. The Troubles of Reception
Geometric abstraction in the Croatian Art of the 1950s'. The Troubles of Reception // Art and ideology. The Nineteen-fifties in a devided Europe / Kolešnik, Ljiljana (ur.).
Zagreb: Društvo povjesničara umjetnosti Hrvatske, 2004. str. 80-90
CROSBI ID: 192130 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Geometric abstraction in the Croatian Art of the 1950s'. The Troubles of Reception
Autori
Kolešnik, Ljiljana
Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, ostalo
Knjiga
Art and ideology. The Nineteen-fifties in a devided Europe
Urednik/ci
Kolešnik, Ljiljana
Izdavač
Društvo povjesničara umjetnosti Hrvatske
Grad
Zagreb
Godina
2004
Raspon stranica
80-90
ISBN
953-6089-16-5
Ključne riječi
Croatian moden art, cold war, 1950s', geometric abstraction, lyrical abstraction, art criticism, legitimation, Marxism, aesthetics
(croatian moden art, cold war, 1950s', geometric abstraction, art criticism, legitimation, Marxism, aesthetics)
Sažetak
Overestimated, even labeled as the first post-war neo-avantgarde, geometric abstraction apperaed in Croatian art at the beginning of the 1950s'. The text gives a thorough analysis of the critical reception concerning geometrical abstraction, forgrounding its strong ties with the changes in State intenational policy, and social transformation induced by the ideological project of "self-managing socialism".
Izvorni jezik
Engleski
Znanstvena područja
Povijest umjetnosti
POVEZANOST RADA
Projekti:
0020004
Ustanove:
Institut za povijest umjetnosti, Zagreb
Profili:
Ljiljana Kolešnik
(autor)
