Pregled bibliografske jedinice broj: 1278371
Deconstruction of the Landscape in Contemporary Art Based on the Example of the Installation "Do Plants Dream of the Future?" by Igor Eškinja
Deconstruction of the Landscape in Contemporary Art Based on the Example of the Installation "Do Plants Dream of the Future?" by Igor Eškinja // AM. Art + Media, (2023), 30; 257-274 (međunarodna recenzija, članak, znanstveni)
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Naslov
Deconstruction of the Landscape in Contemporary
Art Based on the Example of the Installation "Do
Plants Dream of the Future?" by Igor Eškinja
Autori
Rukavina, Katarina
Izvornik
AM. Art + Media (2217-9666)
(2023), 30;
257-274
Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, znanstveni
Ključne riječi
identity ; installation ; Do Plants Dream of the Future? ; weed ; landscape ; space ; wall-papers ; Igor Eškinja
Sažetak
In Igor Eškinja’s installation Do Plants Dream of the Future? the main artistic motif is the living plant world growing in specific locations. The theme is therefore a landscape, but at the same time an anti-landscape because the plants are weeds, and the location is not determined by the natural, but by the industrial environment. The artist scrutinizes the plants in such an artificial environment and the nature here is inseparable from the urban layer. Moreover, the binarity of nature and culture is illustrated throughout the entire artwork, as well as the paradoxical nature of this relationship. This text aims to demonstrate to what extent is Eškinja’s installation is a landscape and what it tells us about the topic of nature in contem-porary art.
Izvorni jezik
Engleski
Znanstvena područja
Filozofija, Povijest umjetnosti, Znanost o umjetnosti
POVEZANOST RADA
Ustanove:
Akademija primijenjenih umjetnosti, Rijeka
Profili:
Katarina Rukavina
(autor)