Pregled bibliografske jedinice broj: 1275916
Pulp Fiction and Self-reflexivity
Pulp Fiction and Self-reflexivity, 2019., diplomski rad, diplomski, Odjel za anglistiku, Zadar, Hrvatska
CROSBI ID: 1275916 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Pulp Fiction and Self-reflexivity
Autori
Tkalčec, Lara
Vrsta, podvrsta i kategorija rada
Ocjenski radovi, diplomski rad, diplomski
Fakultet
Odjel za anglistiku
Mjesto
Zadar, Hrvatska
Datum
11.12
Godina
2019
Stranica
45
Mentor
Petković, Rajko
Ključne riječi
self-reflexivity, postmodernism, nonlinearity, metafiction, crime film
Sažetak
Pulp Fiction (1994) is a crime/gangster film directed and written by Quentin Tarantino. Unlike the typical gangster films that examine the 'gangster' as a symbol of moral corruption in the society, Tarantino's 'gangster' serves as a symbol and a part of popular culture, which is evident in the movie's self-reflexivity and subjectivity. Self-reflexivity refers to the film being aware of itself and it is one of the most common postmodern characteristics. This paper focuses on the concept of self-reflexivity in Pulp Fiction and analyses it in three major aspects of the film: its characters, the setting and the narrative.
Izvorni jezik
Engleski
Znanstvena područja
Znanost o umjetnosti