Pregled bibliografske jedinice broj: 1270287
Ilma de Murska (1834–1889), a “Croatian nightingale” as Artist and Impresario
Ilma de Murska (1834–1889), a “Croatian nightingale” as Artist and Impresario // Agents and Actors: Networks in Music History
Helsinki, Finska, 2022. (predavanje, međunarodna recenzija, neobjavljeni rad, znanstveni)
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Naslov
Ilma de Murska (1834–1889), a “Croatian
nightingale” as Artist and Impresario
(Ilma de Murska (1834-1889), "hrvatski slavuj" kao
umjetnica i impresario)
Autori
Katalinić, Vjera
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, neobjavljeni rad, znanstveni
Skup
Agents and Actors: Networks in Music History
Mjesto i datum
Helsinki, Finska, 01.06.2022. - 03.06.2022
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
Ilma de Murska, Singer, Impresario, Musical Networking
(Ilma de Murska, operna pjevačica, impresario, umrežavanje glazbom)
Sažetak
In the first half of the 19th-century Zagreb, only the basic institutional training in music (strings, singing, later winds as well as basic music theory) was available since 1829, when the Musikverein opened its school, as well as within the Normalschule for teachers (keyboards, music theory, since the late 18th c.). Thus, many gifted musicians had to continue their education abroad, mostly in Graz, Vienna, Prague, Budapest or Milan. That happened with the majority of Croatian singers, and among them was the soprano Ilma de Murska. The singing training brought her from Zagreb to Graz, and later to Vienna and Paris, where she started her professional career. She developed her repertoire in the theatres of Italy (between Florence and Catania), in Spain (Barcelona) and Berlin. Viennese theatres and audiences met her regularly between 1864 and 1873, where she performed some 230 times in at least 17 different roles and in London during early 1870s, with many other guest- performances around Europe. In 1873 she joined an Italian company for touring the USA, Cuba and Mexico for a year but the company fell apart. Then she and the singer Pauline Lucca founded their own company in Cuba, but neither this one was of a longevity. Murska continued her journey to Australia and New Zealand, returned to New York and back to Europe and died in Munich. Her adventurous and dynamic life – private and professional – was untypical for a woman at that time ; she was a star then as she would be today, participating in existing networks and trying to create her own ones. Various types of her professional engagements, her repertoire and the reception of her performances will be presented in this paper.
Izvorni jezik
Engleski
Znanstvena područja
Znanost o umjetnosti
