Naslov
The Birth of Performance Art From the Spirit of Noise: Punk and Performance Art in Croatia

Autori
Anđelković Džambić, Ljubica

Izvornik
Pulse: the Journal of Science and Culture (2416-111X) 2022 (2022), 9; 1-16

Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, znanstveni

Ključne riječi
hrvatska umjetnost performansa ; punk ; alternativna kultura, glazbeni performans
(Croatian performance art ; punk subculture ; alternative culture ; radical performance ; body art)

Sažetak
By addressing the sound recording technology’s capabilities in catching its objects, this article presents a materialist theoretical ground, connecting François Laruelle’s understanding of immanence in his non-philosophy to Friedrich Kittler’s technomaterialism that employs three fundamental recording technologies. As Kittler inquires in his book Gramophone, Film, Typewriter in depth, the phonograph is the only recording technology that is able to catch its object as it is, without transferring it into any semiotic system that is essentially different from it. It is the sound recording technology’s ability that distinguishes it from the other two recording technologies and the very reason to design a materialist approach to sonic thinking. Ultimately, the theoretical inquiries given by a non-philosopher and a media theorist will give us a new base for sonic thinking and pave the way for various possibilities to approach the reality of sounds and their relationship with technology. The article suggests that nonphilosophy finds its very performance in the practice of the phonograph.

Izvorni jezik
Engleski

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