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Pregled bibliografske jedinice broj: 1248059

Improvisation as the Foundation of Flow in Music Education: Connections to Attitudes, Gender and Genre


Korošec, Kaja; Bačilija Sušić, Blaženka; Habe, Katarina
Improvisation as the Foundation of Flow in Music Education: Connections to Attitudes, Gender and Genre // Revija za elementarno izobraževanje, 15 (2022), 3; 339-356 doi:10.18690/rei.15.3.339-356.2022 (međunarodna recenzija, članak, znanstveni)


CROSBI ID: 1248059 Za ispravke kontaktirajte CROSBI podršku putem web obrasca

Naslov
Improvisation as the Foundation of Flow in Music Education: Connections to Attitudes, Gender and Genre

Autori
Korošec, Kaja ; Bačilija Sušić, Blaženka ; Habe, Katarina

Izvornik
Revija za elementarno izobraževanje (2350-4803) 15 (2022), 3; 339-356

Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, znanstveni

Ključne riječi
attitudes, flow, higher music education, improvisation, music students

Sažetak
The aim of our study was to explore the connection between improvisation and flow. Data were collected from 252 tertiary music students from Slovenia and Croatia (121 male and 131 female musicians), who filled in The Questionnaire on Attitudes to Music Improvisation, The Inventory on Feelings associated with Music Improvisation, and the Work-related Flow Inventory. The results show that the female students have significantly more negative feelings and attitudes toward improvisation, and they experience less flow while improvising. Differences were even more pronounced when comparing students who only played classical music with those who played other genres, as well. Regression analysis showed that we can explain 71% of the variance in flow with attitudes toward improvisation.

Izvorni jezik
Engleski

Znanstvena područja
Pedagogija, Interdisciplinarne društvene znanosti, Glazbena umjetnost, Obrazovne znanosti (psihologija odgoja i obrazovanja, sociologija obrazovanja, politologija obrazovanja, ekonomika obrazovanja, antropologija obrazovanja, neuroznanost i rano učenje, pedagoške discipline)



POVEZANOST RADA


Ustanove:
Učiteljski fakultet, Zagreb

Profili:

Avatar Url Blaženka Bačlija Sušić (autor)

Poveznice na cjeloviti tekst rada:

Pristup cjelovitom tekstu rada doi scholar.google.com

Citiraj ovu publikaciju:

Korošec, Kaja; Bačilija Sušić, Blaženka; Habe, Katarina
Improvisation as the Foundation of Flow in Music Education: Connections to Attitudes, Gender and Genre // Revija za elementarno izobraževanje, 15 (2022), 3; 339-356 doi:10.18690/rei.15.3.339-356.2022 (međunarodna recenzija, članak, znanstveni)
Korošec, K., Bačilija Sušić, B. & Habe, K. (2022) Improvisation as the Foundation of Flow in Music Education: Connections to Attitudes, Gender and Genre. Revija za elementarno izobraževanje, 15 (3), 339-356 doi:10.18690/rei.15.3.339-356.2022.
@article{article, author = {Koro\v{s}ec, Kaja and Ba\v{c}ilija Su\v{s}i\'{c}, Bla\v{z}enka and Habe, Katarina}, year = {2022}, pages = {339-356}, DOI = {10.18690/rei.15.3.339-356.2022}, keywords = {attitudes, flow, higher music education, improvisation, music students}, journal = {Revija za elementarno izobra\v{z}evanje}, doi = {10.18690/rei.15.3.339-356.2022}, volume = {15}, number = {3}, issn = {2350-4803}, title = {Improvisation as the Foundation of Flow in Music Education: Connections to Attitudes, Gender and Genre}, keyword = {attitudes, flow, higher music education, improvisation, music students} }
@article{article, author = {Koro\v{s}ec, Kaja and Ba\v{c}ilija Su\v{s}i\'{c}, Bla\v{z}enka and Habe, Katarina}, year = {2022}, pages = {339-356}, DOI = {10.18690/rei.15.3.339-356.2022}, keywords = {attitudes, flow, higher music education, improvisation, music students}, journal = {Revija za elementarno izobra\v{z}evanje}, doi = {10.18690/rei.15.3.339-356.2022}, volume = {15}, number = {3}, issn = {2350-4803}, title = {Improvisation as the Foundation of Flow in Music Education: Connections to Attitudes, Gender and Genre}, keyword = {attitudes, flow, higher music education, improvisation, music students} }

Časopis indeksira:


  • Scopus


Citati:





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