Pregled bibliografske jedinice broj: 1243232
Centre and periphery in the interpretations of Croatian modern art
Centre and periphery in the interpretations of Croatian modern art // International Conference Art history and discourse on the centre and periphery. An homage to Ljubo Karaman 1886-1971. Programme and book of abstracts / Petrinović, Martina (ur.).
Zagreb: Društvo povjesničara umjetnosti Hrvatske, 2022. str. 33-33 (predavanje, međunarodna recenzija, sažetak, znanstveni)
CROSBI ID: 1243232 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Centre and periphery in the interpretations of Croatian modern art
Autori
Prelog, Petar
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, znanstveni
Izvornik
International Conference Art history and discourse on the centre and periphery. An homage to Ljubo Karaman 1886-1971. Programme and book of abstracts
/ Petrinović, Martina - Zagreb : Društvo povjesničara umjetnosti Hrvatske, 2022, 33-33
ISBN
978-953-6089-57-4
Skup
International Conference “Art history and discourse on the centre and periphery ‒ An homage to Ljubo Karaman (1886‒1971)”
Mjesto i datum
Zagreb, Hrvatska, 19.05.2022. - 21.05.2022
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
hrvatska povijest umjetnosti, geografija umjetnosti, hrvatska moderna umjetnost, središte i periferija
(Croatian art history, geography of art, Croatian modern art, centre and periphery)
Sažetak
Based on the Vienna School of Art History and strongly influenced by the tradition of geographical approaches in German art history, Croatian art history has always implied geographical postulates. The fact of geographical positioning, which in the historical and political constellation is most rightly understood as peripheral or marginal, was implicitly or explicitly present in almost all interpretations of national art of different periods. In this sense, the interpretations of Croatian modern art in the period after the Second World War were determined by the awareness of the geographical positioning of the national space. Ljubo Karaman's work – with the affirmation of geographical predestination manifested in regional artistic features and theoretical principles based on three concepts (provincialized, border and peripheral art) – also had an important impact on the observation of Croatian modernism. It can therefore be concluded that Croatian modern art was interpreted with an awareness of the influence of different cultural circles and, accordingly, formal and stylistic adaptation to the social, political and economic situation. This paper will briefly look at the problems of the centre and periphery in the interpretation of Croatian modern art, with reference to the most important protagonists, art historians Grgo Gamulin, Božidar Gagro, Igor Zidić, and others. It will be emphasised that many Croatian modern artists created with the awareness that they live and work outside the centre, and that national art was very much influenced by crucial art movements in Central and Western Europe. Ways of interpreting the most important phenomena in Croatian art – from expressionism to surrealism – will be analysed and attention will be paid to the problems of valorisation that have always been closely related to the centre-periphery paradigm. Finally, the possibilities of deconstructing the prevailing views on art created outside European art centres will be considered and questions will be asked about the productivity of such attempts.
Izvorni jezik
Engleski
Znanstvena područja
Povijest umjetnosti
POVEZANOST RADA
Projekti:
VLASTITA-SREDSTVA-PU-IPU-2019-10 - Tumačenja modernizma – povijest umjetnosti i hrvatska moderna umjetnost (Prelog, Petar, VLASTITA-SREDSTVA ) ( CroRIS)
Ustanove:
Institut za povijest umjetnosti, Zagreb
Profili:
Petar Prelog
(autor)