Pregled bibliografske jedinice broj: 1226430
Meyerhold Bound: Montažstroj's “Vatrotehna (2.0)” and the Barbaric Discipline of the Machine
Meyerhold Bound: Montažstroj's “Vatrotehna (2.0)” and the Barbaric Discipline of the Machine // Colloquia Humanistica, (2017), 6; 131-152 doi:10.11649/ch.2017.011 (međunarodna recenzija, članak, znanstveni)
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Naslov
Meyerhold Bound: Montažstroj's “Vatrotehna (2.0)”
and the Barbaric Discipline of the Machine
Autori
Rafolt, Leo
Izvornik
Colloquia Humanistica (2392-2419)
(2017), 6;
131-152
Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, znanstveni
Ključne riječi
Montažstroj ; re-performability ; physical theatre ; avant-garde theatre ; radical performance
Sažetak
The paper deals with Montažstroj’s two versions of Vatrotehna performance, inspired by Aeschylus’ Prometheus Bound and Meyerhold’s tragic execution. Context of both performances is analyzed, especially in the light of re-performability in post- sociorealist and neo-capitalist conditions. Montažstroj’s performances are, hence, seen as radical in situ performance praxis, community oriented, and deeply rooted in traditions of avant- garde theatre. Therefore, questions like iterability, social proxemics and political engagement of the performance arise as most important. Aeschylus’ plot intertekst and Meyerhold’s performative intertext thus function as a platform for re-examining and re-performing in a rigid, utmost barbaric biomechanical mode, furthermore – in totally mediatized and mechanicocentric society.
Izvorni jezik
Engleski
Citiraj ovu publikaciju:
Časopis indeksira:
- Web of Science Core Collection (WoSCC)
- Emerging Sources Citation Index (ESCI)
- Scopus
