Pregled bibliografske jedinice broj: 1199419
'Hello my Priends, Welcome Back to My Channel!' Narrativity, Tellership, and Authenticity on TikTok
'Hello my Priends, Welcome Back to My Channel!' Narrativity, Tellership, and Authenticity on TikTok // The Canadian Association of Applied Linguistics / L'Association canadienne de linguistique appliquée - The Annual Conference In conjunction with the Congress of the Humanities and Social Sciences
Kanada, 2022. (predavanje, međunarodna recenzija, neobjavljeni rad, znanstveni)
CROSBI ID: 1199419 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
'Hello my Priends, Welcome Back to My Channel!'
Narrativity, Tellership, and Authenticity on
TikTok
Autori
Podboj, Martina
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, neobjavljeni rad, znanstveni
Skup
The Canadian Association of Applied Linguistics / L'Association canadienne de linguistique appliquée - The Annual Conference In conjunction with the Congress of the Humanities and Social Sciences
Mjesto i datum
Kanada, 13.05.2022. - 15.05.2022
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
narrative analysis ; online storytelling ; multimodal discourse ; social networks ; TikTok
Sažetak
Narrative analysis within sociolinguistics and discourse-oriented approaches to language has seen significant turns over the last several decades. Its focus shifted from the linguistic structure of narrative seen as text-type towards recognising narrative as performance, a type of social practice, and a prominent locus of identity construction (De Fina & Perrino 2017). Recently, narrative analysis has turned towards heterogeneous storytelling contexts and genres that depart from the canonical single, linear (usually textual) sequences told by a single active teller (Georgakopoulou 2015, 2017). The contemporary landscape of narrative analysis is oriented towards narrativity and sharing stories in various online and digital contexts that people inhabit through their everyday practices (Page & Bronwen 2011, Giaxoglu 2020). The ways in which people engage in contemporary communicative practices to construct and share stories are multi-semiotic, multimodal, and greatly prompted by the affordances of social media platforms. This invites researchers in the field to re-think once again how they define narrative and to respond to consequent methodological challenges. To illustrate this, I use the example of TikTok, a popular video-focused social network. I analyse posts by user Pinky Patel, a comedian of South Asian heritage living in suburban Chicago, who is known for her humorous videos containing recounts of everyday situations and social commentary laced with a distinct Gujarati accent. My aim is to analyse strategies that Pinky uses to engage in “formatted storytelling” (Georgakopoulou, forthcoming), and to investigate how traditional notions such as narration, tellership, tellability, linearity, and positioning surface in this social networking context.
Izvorni jezik
Engleski
Znanstvena područja
Interdisciplinarne društvene znanosti, Filologija, Interdisciplinarne humanističke znanosti