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Pregled bibliografske jedinice broj: 1184188

The Emperor's New Clothes, a story by Hans Christian Andersen and a film by Ante Babaja: Intermedial Storytelling as an Obstacle Course for Political Allegory


Kos-Lajtman, Andrijana; Radić, Damir
The Emperor's New Clothes, a story by Hans Christian Andersen and a film by Ante Babaja: Intermedial Storytelling as an Obstacle Course for Political Allegory // Folia Linguistica et Litteraria, (2022), 39; 147-165 doi:10.31902/fll.39.2022.8 (recenziran, članak, znanstveni)


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Naslov
The Emperor's New Clothes, a story by Hans Christian Andersen and a film by Ante Babaja: Intermedial Storytelling as an Obstacle Course for Political Allegory

Autori
Kos-Lajtman, Andrijana ; Radić, Damir

Izvornik
Folia Linguistica et Litteraria (1800-8542) (2022), 39; 147-165

Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, znanstveni

Ključne riječi
Ante Babaja, The Emperor's New Clothes, Hans Christian Andersen, feature film, intermediality, political allegory

Sažetak
The Emperor's New Clothes (1837) by Hans Christian Andersen is a classic of children's literature, but also holds an emblematic position in the sphere of world literature and culture in general – it is one of the most translated stories/fairy tales, published in numerous languages all around the world and transposed into various media, but it is also a story with a rich semantic potential which allows for diverse and stratified interpretations. The focus of this paper is the comparative analysis of the famous Andersen story, and the eponymous feature film by the Croatian and Yugoslav director Ante Babaja, filmed in 1961. The screenplay was written by Božidar Violić, who adapted Andersen's story for film. The Emperor's New Clothes is the first feature film by this renowned director, and also the first Croatian feature film in colour. The unusual adaptation by Babaja is interesting on several levels and for several reasons – both strictly poetic reasons (the approach is atypical, where the standard scenography is absent, and white surfaces take its place along with the so-called high-key film photography, done by Oktavijan Miletić), and reasons of a wider scope, related to reception. Babaja's film enables different readings than the ones based on Andersen's template by intervening into the motif and narrative dimensions of the original story, but also through transgressions at the stylistic level (intermedial contact with stage acting), and, especially, the socio-political context in which the film originated (socialist Yugoslavia). More precisely, Babaja's The Emperor's New Clothes reinterprets Andersen's story by adding to it a concrete socio- political allegory of (not only) former Yugoslavia, while at the same time not discarding the central space of Andersen's story – the relation between collective conventions and individual consciousness, cowardice and courage, submission and freedom, as the archetypical spaces of human communities.

Izvorni jezik
Engleski

Znanstvena područja
Filologija, Filmska umjetnost (filmske, elektroničke i medijske umjetnosti pokretnih slika), Književnost, Interdisciplinarno umjetničko polje



POVEZANOST RADA


Projekti:
NadSve-Sveučilište u Zagrebu-ufzg-potp16-2021-AKL - Dječja i tinejdžerska književnost i film: suodnosi, poetički modeli, društveno-komunikacijski konteksti (Kos-Lajtman, Andrijana, NadSve - Poziv Učiteljskog fakulteta iz lipnja 2021.) ( CroRIS)

Profili:

Avatar Url Andrijana Kos-Lajtman (autor)

Poveznice na cjeloviti tekst rada:

Pristup cjelovitom tekstu rada doi www.folia.ucg.ac.me

Citiraj ovu publikaciju:

Kos-Lajtman, Andrijana; Radić, Damir
The Emperor's New Clothes, a story by Hans Christian Andersen and a film by Ante Babaja: Intermedial Storytelling as an Obstacle Course for Political Allegory // Folia Linguistica et Litteraria, (2022), 39; 147-165 doi:10.31902/fll.39.2022.8 (recenziran, članak, znanstveni)
Kos-Lajtman, A. & Radić, D. (2022) The Emperor's New Clothes, a story by Hans Christian Andersen and a film by Ante Babaja: Intermedial Storytelling as an Obstacle Course for Political Allegory. Folia Linguistica et Litteraria, (39), 147-165 doi:10.31902/fll.39.2022.8.
@article{article, author = {Kos-Lajtman, Andrijana and Radi\'{c}, Damir}, year = {2022}, pages = {147-165}, DOI = {10.31902/fll.39.2022.8}, keywords = {Ante Babaja, The Emperor's New Clothes, Hans Christian Andersen, feature film, intermediality, political allegory}, journal = {Folia Linguistica et Litteraria}, doi = {10.31902/fll.39.2022.8}, number = {39}, issn = {1800-8542}, title = {The Emperor's New Clothes, a story by Hans Christian Andersen and a film by Ante Babaja: Intermedial Storytelling as an Obstacle Course for Political Allegory}, keyword = {Ante Babaja, The Emperor's New Clothes, Hans Christian Andersen, feature film, intermediality, political allegory} }
@article{article, author = {Kos-Lajtman, Andrijana and Radi\'{c}, Damir}, year = {2022}, pages = {147-165}, DOI = {10.31902/fll.39.2022.8}, keywords = {Ante Babaja, The Emperor's New Clothes, Hans Christian Andersen, feature film, intermediality, political allegory}, journal = {Folia Linguistica et Litteraria}, doi = {10.31902/fll.39.2022.8}, number = {39}, issn = {1800-8542}, title = {The Emperor's New Clothes, a story by Hans Christian Andersen and a film by Ante Babaja: Intermedial Storytelling as an Obstacle Course for Political Allegory}, keyword = {Ante Babaja, The Emperor's New Clothes, Hans Christian Andersen, feature film, intermediality, political allegory} }

Časopis indeksira:


  • Web of Science Core Collection (WoSCC)
    • Emerging Sources Citation Index (ESCI)
  • Scopus


Citati:





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