Naslov
Incantations, Onomatopoeia and Other Croatian Traditional Verbalisations of Delight
(Inkantacije, onomatopeje i druge hrvatske tradicijske verbalizacije ushićenosti)

Autori
Bajuk, Lidija

Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, znanstveni

Izvornik
Encountering Emotions in Folk Narrative and Folklife. 18th Congress of the International Encountering Emotions in Folk Narrative and Folklife. 18th Congress of the International Society for Folk Narrative Research, virtual Zagreb, Croatia, 5-8 September, 2021. Programme and Abstracts / - , 2021, 37-37

Skup
Encountering Emotions in Folk Narrative and Folklife. 18th Congress of the International Society for Folk Narrative Research (ISFNR), virtual Zagreb, Croatia, 5–8 September 2021

Mjesto i datum
Zagreb, Hrvatska, 05.09.2021. - 08.09.2021

Vrsta sudjelovanja
Predavanje

Vrsta recenzije
Međunarodna recenzija

Ključne riječi
hrvatski obredni plesovi ; pripjevne verbalizacije ushićenosti ; izvedbeni konteksti ; teonimi
(Croatian ritual circle–dances ; refrain’s verbalization of delight ; performance contexts ; theonyms)

Sažetak
Taking into account the reflections of the theologian Heinrich E. G. Paulus concerning ecstasy and entasy, those of the philosopher and theologian Rudolf Otto in regard religious experience imbued with awe for the sacred, and the reflections of some ethnologists and philologists on the comparisons of the theonomic refrains, this paper discusses the stable cognitive–linguistic conceptions of the refrain’s verbalization of delight in the Croatian ritual non–liturgical and paraliturgical songs. According to the neuroscientist Marc Iacoboni, a (wo)man in community perceives, learns, recognizes, identifies, imitates and expresses cultural patterns thanks to the mirroring of neurons. But, the Christianization and gradual profanization caused that theonomic chorus invocations and incantations have decomposited into linguistic incomprehensible formations or along the lines of onomatopoeia of the apotropeic rhythmical movement of the dedicators, as well as sounds of the accompanying instruments and tools, and also of the voicing of certain animal voting. Their features point to an origin in the Slavic sacred texts. Some of the former ritual narratives are remebered due to their displacement from the original to the contemporary performing contexts. An interdisciplinary comparison seeks to show that these chants are a structural element of the oldest Croatian traditional songs or a sound– attractive poetic motif embedded in newer traditional songs. In the historical journey of transmission, pervading, adapting, decomposing and changing, personal and collective perception and reception of being, according to the essayist Pascal Bruckner, overshadows by a cult of pleasure and the social imperative of craving for happiness.

Izvorni jezik
Engleski

Znanstvena područja
Filologija, Etnologija i antropologija, Plesna umjetnost i umjetnost pokreta, Kroatologija

POVEZANOST RADA