Pregled bibliografske jedinice broj: 1172297
Narrative and Representational Strategies of Dystopian Literature and Films
Narrative and Representational Strategies of Dystopian Literature and Films // Utopian Projects in the History of Culture. (Im)possible Worlds: The Present and the Future in the Mirror of Dystopia (dedicated to the 100th anniversary of Yevgeny Zamyatin's novel We) / T. S. Paniotova (ur.).
Taganrog: Southern Federal University Publishing House, Rostov on Don, 2021. str. 51-57 (predavanje, međunarodna recenzija, cjeloviti rad (in extenso), znanstveni)
CROSBI ID: 1172297 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Narrative and Representational Strategies of
Dystopian Literature and Films
Autori
Sumpor, Svjetlana
Vrsta, podvrsta i kategorija rada
Radovi u zbornicima skupova, cjeloviti rad (in extenso), znanstveni
Izvornik
Utopian Projects in the History of Culture. (Im)possible Worlds: The Present and the Future in the Mirror of Dystopia (dedicated to the 100th anniversary of Yevgeny Zamyatin's novel We)
/ T. S. Paniotova - Taganrog : Southern Federal University Publishing House, Rostov on Don, 2021, 51-57
ISBN
978-5-9275-3841-6
Skup
3rd National Scientific Conference Utopian Projects in the History of Culture "(Im)possible Worlds: The Present and the Future in the Mirror of Dystopia": dedicated to the 100th anniversary of Yevgeny Zamyatin’s novel We
Mjesto i datum
Rostov, Ruska Federacija, 01.12.2020. - 03.12.2020
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
dystopia, film, novel, transmedia genre, medium specific characteristics
Sažetak
The paper focuses on the comparison of typical narrative and representational strategies of literary and filmic dystopias. By analysing a few paradigmatic dystopian novels and by comparing them with films that were made either as their adaptations or inspired by them, the paper sets out to define the characteristics and strategies which they both have in common, as well as to point out those which are medium specific. In conclusion, the paper aims to establish whether/ or how / the medium specific representational strategies are able to change the meaning of the story narrated.
Izvorni jezik
Engleski
Znanstvena područja
Filmska umjetnost (filmske, elektroničke i medijske umjetnosti pokretnih slika), Književnost