Pregled bibliografske jedinice broj: 1122381
Ara Pacis Between Augustus and Josef von Sternberg
Ara Pacis Between Augustus and Josef von Sternberg // The Century of the Brave / Stoljeće hrabrih, Faculty of the Humanities and Social Sciences, University of Zagreb, FFPress / Milićević-Bradač, M ; Demicheli, D. (ur.).
Zagreb: FF Press, 2018. str. 297-306 (predavanje, međunarodna recenzija, cjeloviti rad (in extenso), znanstveni)
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Naslov
Ara Pacis Between Augustus and Josef von Sternberg
Autori
Milićević-Bradač, Marina ; Rafaelić, Danijel
Vrsta, podvrsta i kategorija rada
Radovi u zbornicima skupova, cjeloviti rad (in extenso), znanstveni
Izvornik
The Century of the Brave / Stoljeće hrabrih, Faculty of the Humanities and Social Sciences, University of Zagreb, FFPress
/ Milićević-Bradač, M ; Demicheli, D. - Zagreb : FF Press, 2018, 297-306
ISBN
978-953-175-609-9
Skup
Stoljeće hrabrih: arheologija rimskog osvajanja i otpora starosjedilaca u Iliriku za vrijeme Augusta i njegovih nasljednika = The Century of the Brave: Archaeology of the Roman conquest and indigenous resistance in Illyricum during the time of Augustus and his heirs
Mjesto i datum
Zagreb, Hrvatska, 22.09.2014. - 26.09.2014
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
Josef von Sternberg, Ara Pacis, I, Claudius, Charles Laughton, Robert Graves
Sažetak
When in 1937 Hollywood producer Alexander Korda bought the film rights for Robert Graves’ I, Claudius, he decided to entrust the execution of the movie to Josef von Sternberg, probably the greatest esthete among the directors of the day. Unfortunately, the filming of I, Claudius was suddenly stopped and the movie was never finished, but a number of fragments remained, enough to enable us to comprehend the magnitude of the intended spectacle. One of the preserved scenes presents Livia calling Claudius and Caligula to supper. The whole scene is conceived as a gathering under the replica of the Ara Pacis. Ara is modified and distorted to suit the director’s purpose. Likewise, von Sternberg plays with the motive of the Vestal virgins, distancing the scenes from the ancient sources but directly provoking Hollywood censors. Although known only in separate pieces, von Sternberg’s I Claudius raised some questions of the relationship between classical Hollywood and classical antiquity. Can we fully understand either of them?
Izvorni jezik
Engleski
Znanstvena područja
Arheologija
