Pregled bibliografske jedinice broj: 1120291
Keeping the Promise of Community. Communal Efforts on the Contemporary Zagreb Non-Institutional Scene
Keeping the Promise of Community. Communal Efforts on the Contemporary Zagreb Non-Institutional Scene // Amfiteater. Revija za teorijo scenskih umetnosti, 9 (2021), 1; 52-66 doi:10.51937/Amfiteater-2021-1/52-66 (međunarodna recenzija, članak, znanstveni)
CROSBI ID: 1120291 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Keeping the Promise of Community. Communal Efforts on the Contemporary Zagreb Non-Institutional Scene
Autori
Kačić Rogošić, Višnja
Izvornik
Amfiteater. Revija za teorijo scenskih umetnosti (1855-4539) 9
(2021), 1;
52-66
Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, znanstveni
Ključne riječi
Zagreb non-institutional theatre 2010s ; community of participants, On Community ; 55+ ; The Love Case of Fahrija P ; Conversing
(Zagreb non-institutional theatre 2010s ; community of participants ; On Community ; 55+ ; The Love Case of Fahrija P ; Conversing)
Sažetak
In their 1979 manifesto independent experimental theatre collective Kugla glumište (Zagreb, 1975-1985) claims: „Kugla discovers images, symbols and stories that wish to be the promise of community“. The article explores the repercussions of those neo-avantgarde community efforts on contemporary Zagreb non-institutional scene by providing the analysis of four inclusive performances which differ in motives, aesthetic aims, production levels and participatory modes. In The Love Case of Fahrija P (2017) ex-members of Kugla and additional co-authors stage a polylogue with the artistic heritage of the deceased Kugla glumište member Željko Zorica Šiš (1957-2013) and inclusive procedures they devised during the 1970s. Community project 55+ (2012) by production platform Montažstroj gathers the participants who are over 55 in workshops, public debates, celebrations, protests and a documentary in order to provide visibility and voice to that neglected generation. In the trilogy On Community (2010-2011) production platform Shadow Casters tests different mechanisms of creating temporary aesthetic communities, from learning an a cappella group song to sharing secrets, on its recipients. Finally, atmospheric inclusion of the subtly associative performance Conversing (2019) by Fourhanded offers almost elitist opportunity of co-existing in the intimate world of private tensions. However, what they all have in common is a physically non-invasive form, emotional and/or intellectual engagement as well as an emphasized personal commitment which can oblige the audiences to reciprocate while they join the community of experience.
Izvorni jezik
Engleski
Znanstvena područja
Znanost o umjetnosti
