Pregled bibliografske jedinice broj: 1048340
Zagreb on the Map of Guest Performances in the First Two Decades of the 20th Century
Zagreb on the Map of Guest Performances in the First Two Decades of the 20th Century // Prvi svjetski rat (1914.-1918.) i glazba: skladateljske strategije, izvedbene prakse i društveni utjecaji / Tuksar, Stanislav ; Jurić Janjik, Monika (ur.).
Zagreb: Hrvatsko muzikološko društvo, 2019. str. 551-565
CROSBI ID: 1048340 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Zagreb on the Map of Guest Performances in the First Two Decades of the 20th Century
Autori
Katalinić, Vjera
Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni
Knjiga
Prvi svjetski rat (1914.-1918.) i glazba: skladateljske strategije, izvedbene prakse i društveni utjecaji
Urednik/ci
Tuksar, Stanislav ; Jurić Janjik, Monika
Izdavač
Hrvatsko muzikološko društvo
Grad
Zagreb
Godina
2019
Raspon stranica
551-565
ISBN
978-953-6090-64-8
Ključne riječi
Zagreb, musical networking, musical institutions, theatre, concerts, World War I
Sažetak
The first two decades of the 20th century were marked in musical Zagreb by guest performances of outstanding musicians – soloists, composers and ensembles. General data have already been published about some of them, as, for example, about concert performances given by the violinist Jan Kubelík (1906), cellist Pablo Casals (1913), the singer Gemma Bellincioni (1912), pianist and composer Eugene d’Albert (1913), as well as composers and conductors Richard Strauss (1902, 1912, 1916) and Franz Lehár (1910). Guest performances were also given by the Czech Philharmonic (1902) and the Vienna Philharmonic orchestras (1911). However, the list is much longer than currently known and encompasses also various less known soloists (such as the Florentine singer Isabella Svicher, 1901) and excellent ensembles (for example, the Trieste Quartet in 1908 and the Russian Piano Trio in 1909, etc.). Such guest performances were a necessary measure of quality and meant the widening of horizons of local interpreters and audiences, brought new repertories, even models of music-making, and also the opportunities for encounters of domestic and foreign musicians which sometimes resulted in further arrangements on both sides. This paper provides an overview of guest appearances in the context of Zagreb musical life. The results of this research point at some paradigmatic changes during the period under consideration within the context of social and political developments, especially during the First World War.
Izvorni jezik
Engleski
Znanstvena područja
Znanost o umjetnosti
POVEZANOST RADA
Projekti:
HRZZ-IP-2016-06-4476 - Umrežavanje glazbom: promjene paradigmi u „dugom 19. stoljeću“ – od Luke Sorkočevića do Franje Ks. Kuhača (NETMUS19) (Katalinić, Vjera, HRZZ - 2016-06) ( CroRIS)
Ustanove:
Hrvatska akademija znanosti i umjetnosti
Profili:
Vjera Katalinić
(autor)