Pregled bibliografske jedinice broj: 1040675
Ćorkan i Đerzelez – dekonstrukcija ideologije sustavom oprijeka
Ćorkan i Đerzelez – dekonstrukcija ideologije sustavom oprijeka // Austrougarski period u životu i djelu Iva Andrića (1892-1922) / Tošović, Branko (ur.).
Graz : Beograd: Institut für Slawistik der Karl Franzens Universität Graz, Beogradska knjiga, 2011. str. 259-270 (predavanje, međunarodna recenzija, cjeloviti rad (in extenso), znanstveni)
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Naslov
Ćorkan i Đerzelez – dekonstrukcija ideologije sustavom oprijeka
(Ćorkan i Đerzelez – deconstruction of ideology by system of oppositions)
Autori
Lujanović, Nebojša
Vrsta, podvrsta i kategorija rada
Radovi u zbornicima skupova, cjeloviti rad (in extenso), znanstveni
Izvornik
Austrougarski period u životu i djelu Iva Andrića (1892-1922)
/ Tošović, Branko - Graz : Beograd : Institut für Slawistik der Karl Franzens Universität Graz, Beogradska knjiga, 2011, 259-270
ISBN
9-783950-305340
Skup
Austrougarski period u životu i djelu Iva Andrića (1892-1922)
Mjesto i datum
Graz, Austrija, 08.10.2010. - 09.10.2010
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
Dekonstrukcija ideologije, sustav oprijeka, mit, povijest
(deconsruction od ifeology, system of oppositions, myth, history)
Sažetak
By parallel analyzing two Andrić's characters, Ćrokan and Alija Žerzelez, it's possible to establish common series of oppositions. Those two historical characters situated in Andric’s stories open conflicts of different discourses which could be, and that is the goal of this paper, studied as techniques aimed to deconstruction of ideology. The most obvious is the opposition between collective and individual, between kasaba (street mob) and man who stands alone on the other side. Second opposition is related to manifestation of collective or individual – the voice of one man (puzzling inner monolog) opposed to the voice of group (pressure, persuasion, mockery). Further oppositions are derived from conflict of mythical or historical perspective of Đerzelez and Ćorkan on the one side, and their implementation in Andrić’s text on the other side ; it’s conflict of epic and low style, historical and realistic character, tragic and comic mode of story. The last opposition includes feministic perspective – dominant masculine opposed to almost unrecognizable feminine. If we understand ideology on the abstract level as collective monological voice which operates in tragical-epical mode, according to dominant-masculine matrix, then Ćorkan and Đerzelez could be understand as exponents of oppositions by which Andrić tries to deconstruct ideology.
Izvorni jezik
Hrvatski
Znanstvena područja
Filologija
