Pregled bibliografske jedinice broj: 1036686
Austro-Hungarian Dualism and Croatian 19th-century Architecture – Politics and Design
Austro-Hungarian Dualism and Croatian 19th-century Architecture – Politics and Design // Art and Politics in the Modern Period: Conference Proceedings / Damjanović, Dragan ; Magaš Bilandžić, Lovorka ; Miklošević, Željka ; Walton Jeremy F. (ur.).
Zagreb: Filozofski fakultet Sveučilišta u Zagrebu, 2019. str. 335-348 (predavanje, međunarodna recenzija, cjeloviti rad (in extenso), znanstveni)
CROSBI ID: 1036686 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Austro-Hungarian Dualism and Croatian 19th-century
Architecture – Politics and Design
Autori
Damjanović, Dragan
Vrsta, podvrsta i kategorija rada
Radovi u zbornicima skupova, cjeloviti rad (in extenso), znanstveni
Izvornik
Art and Politics in the Modern Period: Conference Proceedings
/ Damjanović, Dragan ; Magaš Bilandžić, Lovorka ; Miklošević, Željka ; Walton Jeremy F. - Zagreb : Filozofski fakultet Sveučilišta u Zagrebu, 2019, 335-348
ISBN
978-953-175-643-3
Skup
Art and Politics in Europe in the Modern Period
Mjesto i datum
Zagreb, Hrvatska, 29.06.2016. - 02.07.2016
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
Art, Politics, Architecture, 19th century, Kuno Waidmann, Herman Bollé, Janko Holjac, Janko Josip Grahor, Julius Herrmann, Daniel Fischer, Ferenc Pfaff, Ernő Foerk, Gyula Sándy
Sažetak
Public architecture in Croatia in the second half of the 19th century reflected the political position of this province within the Habsburg/Austro-Hungarian Monarchy. During the neoabsolutist period, from 1848/49 Revolution to the 1867 Austro-Hungarian Compromise, almost all monumental public building projects were built according to the designs of Viennese architects. The 1867 Compromise and the consequent formation of the Dual Monarchy put an end to Vienna’s dominance in Hungary and Croatia. After the Croatian-Hungarian Compromise of 1868, which made Croatia a semi- autonomous province within Hungary, buildings of public institutions in Croatia that were under the control of the Croatian autonomous authorities were designed almost exclusively by Croatian architects. Only technically more demanding projects were regularly entrusted to Viennese architects. On the other hand, buildings of the joint Hungaro- Croatian institutions, controlled by Budapest ministries, were designed by Hungarian architects. This complex political situation led to diversity in public architecture, which, in spite of being of Central European provenance, shows influences from various regionals centers.
Izvorni jezik
Engleski
Znanstvena područja
Arhitektura i urbanizam, Povijest, Povijest umjetnosti
POVEZANOST RADA
Projekti:
IP-2018-01-9364 - Umjetnost i država u Hrvatskoj od prosvjetiteljstva do danas (ASCEP) (Damjanović, Dragan, HRZZ - 2018-01) ( CroRIS)
Ustanove:
Filozofski fakultet, Zagreb
Profili:
Dragan Damjanović
(autor)