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The Transition of New Tendencies from Neo-Avant- Garde Subculture to Institutional Mainstream Culture. An Example of Network Analysis. (CROSBI ID 63856)

Prilog u knjizi | izvorni znanstveni rad | međunarodna recenzija

Kolešnik, Ljiljana The Transition of New Tendencies from Neo-Avant- Garde Subculture to Institutional Mainstream Culture. An Example of Network Analysis. // Modern and Contemporary Artists’ Networks. An Inquiry into Digital History of Art and Architecture / Kolešnik, Ljiljana ; Horvatinčić, Sanja (ur.). Zagreb: Institut za povijest umjetnosti, 2018. str. 82-122 doi: 10.31664/9789537875596.05

Podaci o odgovornosti

Kolešnik, Ljiljana

engleski

The Transition of New Tendencies from Neo-Avant- Garde Subculture to Institutional Mainstream Culture. An Example of Network Analysis.

Case study of a complex networks phenomena, comprising for almost a rhyzomatic social structure that brings together artists of different generations, and with a different view on relation between art, science and technology which is in the focus of the international art movement New Tendencies. The growth of that structure is followed form the end of the 1958, and situation which slowly brings protagonists of the movement together, to its dissipation at the beginning of 1970. Particularly interesting is the relation between the conceptual art and information technology, revealed by the succession of network visualizations illustrating development of the movement. As the phenomena that is almost completely missing from art historical account on the post-war neo- avant-garde, it also points out to the epistemic usefulness of network analysis for art history, and its potential to bring to the fore contextual elements eliminated from dominant art-historical narratives. A particular intention is payed to the reflection of disputes, and ruptures in the Movement, and their relation to its visibility within the international art-mainstream. In that regard, and apart from statistics on number of large and travelling exhibitions dedicated to the promotion of kinetic, and optic art, particularly important is the spatial data analysis enriching the present knowledge of art history on the global expansion of New Tendencies.

digital art history, social network visualization, social network analysis, spatial data analysis, New Tendencies, neo-avant-garde, art market

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Podaci o prilogu

82-122.

objavljeno

10.31664/9789537875596.05

Podaci o knjizi

Modern and Contemporary Artists’ Networks. An Inquiry into Digital History of Art and Architecture

Kolešnik, Ljiljana ; Horvatinčić, Sanja

Zagreb: Institut za povijest umjetnosti

2018.

978-953-7875-59-6

Povezanost rada

Informacijske i komunikacijske znanosti, Povijest umjetnosti, Sociologija

Poveznice