hrvatski

„Žena je jedno ništa“ Mele Hartwig. Feminizam u književnom narativu postimperijalnog naslijeđa

The Austrian writer Mela Hartwig (1893 - 1967) interprets the reality of women in the post- imperial period and shows the consequences of misogynical theories in the construction of feminine identity. In the short story Das Verbrechen (The Crime), the author describes the psychopathological relationship between father and daughter through a cruel "play" motivated by Freud's theory of psychoanalysis. In the novel Das Weib ist ein Nichts (The Woman is a Nothing), Hartwig deals with the constellation of institutional and extra- institutional power. The writer has chosen a very radical, unusual and provocative form of analysis and criticism to show a dominant masculine culture. In her literary discourse, the "new woman" of the liberal 20s is shown as a myth and Hartwig does not show optimism about upcoming changes of gender relations.

Mela Hartwig ; mizogine teorije ; psihoanaliza ; ženski identitet ; ženska seksualnost ; nova žena

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