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izvor podataka: crosbi

The Mediterranean Circumscribed: Identity Dynamics in a Neoklapa Music Video (CROSBI ID 62260)

Prilog u knjizi | izvorni znanstveni rad | međunarodna recenzija

Buljubašić, Eni The Mediterranean Circumscribed: Identity Dynamics in a Neoklapa Music Video // Liminal Spaces of Art between Europe and the Middle East / Prijatelj Pavičić, Ivana ; Vicelja Matijašić, Marina ; Germ, Martin et al. (ur.). Newcastle upon Tyne: Cambridge Scholars Publishing, 2018. str. 42-58

Podaci o odgovornosti

Buljubašić, Eni

engleski

The Mediterranean Circumscribed: Identity Dynamics in a Neoklapa Music Video

In this chapter, the dynamics of Mediterranean identifications in Croatian popular music will be explored. Klapa singing holds considerable symbolic capital and prestige as renowned intangible cultural heritage of Croatia. Klapa is also regarded as a quintessentially Mediterranean (Ćaleta 1999) cultural form. As klapa’s popularity increased since the early 2000s, a new model/genre of klapa singing could be delineated: it is best placed within popular music and I call it neoklapa. Popular music discourse has a major role in the construal of space, places and symbolic geography (Žanić 2012, 185–86). Due to klapa’s popularity on the one hand and its strong symbolic ties with the Mediterranean on the other, neoklapa and the identity representations within provide a suitable site of exploration of how Croatian- as-Mediterranean identity is being represented and articulated.

multimodal stylistics ; klapa singing (neoklapa) ; music video, Mediterranean identity ; national identity

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Podaci o prilogu

42-58.

objavljeno

Podaci o knjizi

Liminal Spaces of Art between Europe and the Middle East

Prijatelj Pavičić, Ivana ; Vicelja Matijašić, Marina ; Germ, Martin ; Cerkovnik, Gašper ; Meke, Katra ; Babnik, Ines ; Díaz Fernández, Nina

Newcastle upon Tyne: Cambridge Scholars Publishing

2018.

978-1-5275-0878-1

Povezanost rada

Filologija