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Mala tijela u velikom svijetu : antropo- ornitomorfni privjesci željeznog doba Caput Adriae (CROSBI ID 255793)

Prilog u časopisu | izvorni znanstveni rad | međunarodna recenzija

Blečić Kavur, Martina Mala tijela u velikom svijetu : antropo- ornitomorfni privjesci željeznog doba Caput Adriae / Small bodies in a big world : anthropo- ornithomorphic Iron Age pendants from Caput Adriae // Prilozi Instituta za arheologiju u Zagrebu, 34 (2017), 123-142

Podaci o odgovornosti

Blečić Kavur, Martina

hrvatski

Mala tijela u velikom svijetu : antropo- ornitomorfni privjesci željeznog doba Caput Adriae

Pendants have always had an exceptionally important role in man’s perception and aesthetics. As carriers of information, i.e. as the mediums of a certain metaphoric messages, they are mostly interpreted in the tradition of developed communicational relations in the value systems of different cultural and social orders. At the end of the Early Iron Age, anthropo-ornithomorphic pendants from the upper Adriatic cultural region (Caput Adriae), and the attached hinterland, were undoubtedly accessible signs, as well as symbols. This paper discusses their typologi-cal, stylistic and chronological classification in detail, assessing available archaeological and cultural contexts from the wider European area. Depending on the circumstances, some of their roles are defined, and their use was presented in dynamic and ambivalent ideological-semantic structures. The pendants were iconographically and symbolically interpreted based on the artistic concept of sign–symbol. It was concluded that these “small bodies”, as a metaphor for the androgynous with the idea of apotropaic and prophylactic, were momentarily visually (non-verbally) understandable, (cognitively) recognizable, and (culturally) widely accepted in the “big world” as correspondents in the indirect transfer of intricate and complex interrelationships between people and societies

Caput Adriae, starije željezno doba, antropo-ornitomorfni privjesci, tipologija, kronologija, kulturni kontekst, interpretacija znak–simbol–metafora

nije evidentirano

engleski

Small bodies in a big world : anthropo- ornithomorphic Iron Age pendants from Caput Adriae

Pendants have always had an exceptionally important role in man’s perception and aesthetics. As carriers of information, i.e. as the mediums of a certain metaphoric messages, they are mostly interpreted in the tradition of developed communicational relations in the value systems of different cultural and social orders. At the end of the Early Iron Age, anthropo-ornithomorphic pendants from the upper Adriatic cultural region (Caput Adriae), and the attached hinterland, were undoubtedly accessible signs, as well as symbols. This paper discusses their typologi-cal, stylistic and chronological classification in detail, assessing available archaeological and cultural contexts from the wider European area. Depending on the circumstances, some of their roles are defined, and their use was presented in dynamic and ambivalent ideological-semantic structures. The pendants were iconographically and symbolically interpreted based on the artistic concept of sign–symbol. It was concluded that these “small bodies”, as a metaphor for the androgynous with the idea of apotropaic and prophylactic, were momentarily visually (non-verbally) understandable, (cognitively) recognizable, and (culturally) widely accepted in the “big world” as correspondents in the indirect transfer of intricate and complex interrelationships between people and societies

Caput Adriae, Early Iron Age, anthropo-ornithomorphic pendants, typology, chronology, cultural context, interpreting sign–symbol–metaphors

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Podaci o izdanju

34

2017.

123-142

objavljeno

1330-0644

1848-6371

Povezanost rada

Arheologija, Povijest umjetnosti, Povijest

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