hrvatski

Istraživanjem oznaka na poleđini do izvornog podrijetla slike: primjer slike Bijeg Lota i njegove obitelji iz Sodome iz Strossmayerove galerije / Researching back markings to reach a painting’s origin: the case of The Flight of Lot and his Family from Sodom from the Strossmayer Gallery

Identifikacijom oznaka na poleđini slike Bijeg Lota i njegove obitelji iz Sodome iz Strossmayerove galerije bilo je moguće pratiti kretanje slike na tržištu umjetninama u 20. st., ali i utvrditi izvorno podrijetlo slike.

Bijeg Lota i njegove obitelji iz Sodome, Strossmayerova galerija, provenijencija, Zlata Mervar, Christie's, Claude Ashley Charles Ponsonby, Edwin Parsons & Sons, brand antwerpenske gilde, Lambrecht Steen I.

Research for this paper has been carried out in the framework of the HERA project 15.080 TransCultAA (www.transcultaa.eu). This project has received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 649307.

engleski

Researching back markings to reach a painting’s origin: the case of The Flight of Lot and his Family from Sodom from the Strossmayer Gallery

Identifikacijom oznaka na poleđini slike Bijeg Lota i njegove obitelji iz Sodome iz Strossmayerove galerije bilo je moguće pratiti kretanje slike na tržištu umjetninama u 20. st., ali i utvrditi izvorno podrijetlo slike.

The Flight of Lot and his Family from Sodom, Strossmayer Gallery of Old Masters, provenance, Zlata Mervar, Christie's, Claude Ashley Charles Ponsonby, Edwin Parsons & Sons, Antwerp brand type, Lambrecht Steen I

Research for this paper has been carried out in the framework of the HERA project 15.080 TransCultAA (www.transcultaa.eu). This project has received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 649307.