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Tamna jezgra mimesisa: umjetnost, tijelo i slika u mišljenju Jean–Luca Nancyja

The thesis I argue in my text through three separate planes of discussion is that mimesis (μίμησις) cannot for Nancy be reduced to mere imitation of an already always existing reality. Instead, what is at issue is a creative principle of the openness of the world as meaning starting from the possibility of imitating something that can only be presented- represented in the equation between the logos, the figure and the image. Mimesis thus presents-represents an existential event of novelty in the world. If it is impossible to ask about an event in the traditional metaphysical terms of what it is (quiddittas), but only how it occurs (quoddittas), we cannot rely on the language of the openness of the meaning of the world without previously elucidating on the mediality of the media in Nancy’s thought. This simultaneously means that the logos and the image are connected neither via language nor the representation of something as something (being as the singular plurality). An event occurs authentically precisely in this "elevation of the body" (levée du corps). And this is neither the truth of the "resurrection" nor the mystery of "transcendence". In Nancy's narrative, it becomes abundantly clear that the body (corpus) assumes the position of the unthinkable in traditional philosophical thought. The logos of the body is, thus, in its representation as a figure-image in what is open and therefore beyond the opposition between the “self” and the “outside”. In order to think this “crack” between philosophy and art (logos and mimesis) it is necessary to make a decisive break with the “oblivion of the body” symptomatic of the entire history of Western philosophy.

Nancy, mimesis, umjetnost, tijelo, slika, događaj, ontologija

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