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Pregled bibliografske jedinice broj: 945755

The conceptualization of music categories in word sketches


Ostroški Anić, Ana; Kiš Žuvela, Sanja
The conceptualization of music categories in word sketches // JEZIK I UM: XXXII. međunarodni znanstveni skup // LANGUAGE AND MIND: 32nd International Conference / Stolac, Dijana ; Nigoević, Magdalena (ur.).
Zagreb, Rijeka: Srednja Europa ; Hrvatsko društvo za primijenjenu lingvistiku, 2018. str. 98-98 (predavanje, recenziran, znanstveni)


Naslov
The conceptualization of music categories in word sketches

Autori
Ostroški Anić, Ana ; Kiš Žuvela, Sanja

Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, znanstveni

Izvornik
JEZIK I UM: XXXII. međunarodni znanstveni skup // LANGUAGE AND MIND: 32nd International Conference / Stolac, Dijana ; Nigoević, Magdalena - Zagreb, Rijeka : Srednja Europa ; Hrvatsko društvo za primijenjenu lingvistiku, 2018, 98-98

ISBN
978-953-7963-77-4

Skup
JEZIK I UM: XXXII. međunarodni znanstveni skup // LANGUAGE AND MIND: 32nd International Conference

Mjesto i datum
Rijeka, 03-05.05.2018

Ključne riječi
Word sketch ; semantic frame ; conceptualization ; music ; terminology

Sažetak
The categories of specialized knowledge have been defined in terminology work as complex conceptual networks in which concepts are connected by ontological relations. With the emergence of Frame-based Terminology (Faber 2012) that applies Frame Semantics (Fillmore 1985), it has become evident that specialized knowledge can be more adequately defined by using semantic frames as conceptual structures that allow for a precise description of both semantic content and its corresponding lexical units. Apart from few suggestions of automatic utilization of semantic relations (León-Araúz, San Martín and Faber 2016), the construction of semantic frames still relies heavily on semiautomatic corpus based methods and manually analysed data. A dynamic terminological description of a specialized domain that takes into account conceptual metaphors, variation and polysemy as integral components of specialized knowledge needs to be based on a rigorous linguistic analysis, but can benefit greatly from an automatic linguistic description such is offered by the word sketches (Kilgariff et al. 2014). The paper gives an analysis of several semantic frames in the domain of music (e.g. PITCH, KEY, HARMONY, SCALE, TEMPO) that are defined based on the word sketches of key musical terms extracted from an English corpus of scientific papers and textbooks in music theory. The analysis is carried out in order to test the reliability of the linguistic information in word sketches as opposed to the information extracted by a common terminological practice of analysing concordances and knowledge-rich contexts. Frame elements are defined following the FrameNet methodology, which has been adapted, where necessary, to better reflect the nature of specialized knowledge categories. To evaluate the relevance of data in word sketches, the terms used for extracting word sketches are analysed in corpus concordances, and additional relevant information is marked accordingly. The results show a high level of reliable conceptual and linguistic information that can be acquired from the corpus analysis based on word sketches. The carried terminological analysis is followed by expert validation to account for possible lack of relevant information. The research is conducted within the project Problems of basic contemporary musical terminology in Croatia (CONMUSTERM).

Vrsta sudjelovanja
Predavanje

Vrsta recenzije
Recenziran

Projekt / tema
HRZZ-IP-2013-11-5355 - Problemi temeljnoga suvremenog glazbenog nazivlja u Hrvatskoj (Nikša Gligo)

Izvorni jezik
Engleski

Znanstvena područja
Filologija, Znanost o umjetnosti

Ustanove
Institut za hrvatski jezik i jezikoslovlje, Zagreb,
Muzička akademija, Zagreb