hrvatski

„O protonacionalnom identitetu Jurja Barakovića u povijesti književnosti“

In the context of Croatian Older Literature, Juraj Baraković’s Vila Slovinka achieved the status of a literary canon largely due to a highly evaluated patriotic note in the literary‑historiographical narrative. This article evaluates modes and paths towards attaining the current position of this work among the traditional culture. Former insights are challenged and expanded by new ones with regard to the humanistic and post‑Trent culture, which the author apostrophized and inscribed in the construction of Slavic/Illyrian ideologemes. The Baraković’s concept of protonational identity primarily entails the affiliation to the culture of Catholic Restoration from the period of post‑Trent, late‑humanist culture, especially the ecclesiastical discourse of the period which promoted both Christianity and nation into an indivisible concept of resistance against the Ottomans. In Vila Slovinka, the topic of national origin, territorial prevalence and language is complemented by the concept of humanistic virtue, formed in exemplars of anti‑turkish heroes and national saints, as well as in antipodal exemplars of liars and traitors that serve to emphasize virtue. Thus stratified, the national ideologem indicates Baraković’s work as incorporated in the historiographical narrative of the Early Modern Era, as well as that the author’s discourse had been propulsive towards everyday cultural life, that is towards the political, cultural and patrons‑private relations within the literary field. The complexity of the subject of humanistic patriotism in Vila Slovinka legibly entails distinctive discourse of an eclectic genre of panegyrical poem and Christian‑humanistic exempla.

protonacionalni identitet, Juraj baraković, povijest književnosti

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