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Pregled bibliografske jedinice broj: 913388

CIAM 10 in Dubrovnik: the New Beginning of the Long-lasting Search for a New Discourse


Bjažić Klarin, Tamara
CIAM 10 in Dubrovnik: the New Beginning of the Long-lasting Search for a New Discourse // 1956: the Turnint Point in History and Design Culture
Italija, Milano, Politecnico di Milano, 2017. (pozvano predavanje, međunarodna recenzija, neobjavljeni rad, znanstveni)


Naslov
CIAM 10 in Dubrovnik: the New Beginning of the Long-lasting Search for a New Discourse

Autori
Bjažić Klarin, Tamara

Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, neobjavljeni rad, znanstveni

Skup
1956: the Turnint Point in History and Design Culture

Mjesto i datum
Italija, Milano, Politecnico di Milano, 5. 12. 2017

Vrsta sudjelovanja
Pozvano predavanje

Vrsta recenzije
Međunarodna recenzija

Ključne riječi
CIAM ; discourse ; ruptures ; Dubrovnik ; 1956

Sažetak
CIAM (International Congress of Modern Architecture) – recognized as a symbol of the modern movement – in its three decades long history went through several serious crises that in the given moment even threaten its existence. Dominated by the big Four – Le Corbusier, Sigfried Giedion, Walter Gropius and Cornelius van Eesteren, joined by Jose Luis Sert in 1940’s, it official policy and internal organisation was the source of frustrations and discontent of young ones. From the very beginning there were two opposite sides and different point of views – pragmatic old ones and young idealists. The ruptures were inevitable and periodically occurred from time to time – in 1928, mid-1930s and mid-1940s. Finally it come to an end at CIAM 10 in Dubrovnik in 1956 when for the first time opposition was strong enough to take over leadership. The young ones were very clear in their requirements – they wanted architecture that will correspond with the actual people needs and constantly changing living conditions. They were not willing to compromise and had an idealist idea to use architecture as a tool to build better future. The paper discussed the history of CIAM ruptures. Namely, it argued that the CIAM Congress in Dubrovnik was just one in sequence of events within Congress that led to the new architectural and urban planning discourse beyond the “mature” modernism.

Izvorni jezik
Engleski

Znanstvena područja
Arhitektura i urbanizam, Povijest umjetnosti



POVEZANOST RADA


Projekt / tema
HRZZ-IP-2013-11-6270 - Moderne i suvremene umjetničke mreže, umjetničke grupe i udruženja: Organizacijski i komunikacijski modeli suradničkih umjetničkih praksi 20. i 21. st (Ljiljana Kolešnik, )

Ustanove
Institut za povijest umjetnosti, Zagreb

Autor s matičnim brojem:
Tamara Bjažić Klarin, (267071)