engleski

Heritage music and professionalization – some examples from Croatia

My recent research into the money flow in Croatian traditional music has shown the orientation of music-making towards predominantly economic, social or symbolic capital, depending on the music scene in question. At the same time, it has also shown that in the post-socialist period there is a growing general tendency to link musicmaking as a cultural capital to economic capital. This paper focusses on professionalization in the sphere of heritage music, which predominantly but not exclusively relates to worldwide program of intangible cultural heritage (ICH). Specific case-studies include the arrangement of the governmental fund for ICH, the employment of ICH in the celebration of Croatian accession to the European Union and a concert dedicated to bećarac as one of elements inscribed on the UNESCO's Representative List, and the production of heritage music in the city of Rijeka.

professionalization, heritage music, intangible cultural heritage, Croatia

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